Tag Archives: The Prophet

Articles, Reviews

The Hardstyle Pianist

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About five months ago Dave Revan shared a video of this guy, playing “Ready to Rage” in a beautiful black piano, rocking a bandana and a defqon hat. Since then I’ve started my mornings scrolling my feed, anxiously waiting to see which classic The Pianist is going to tackle next. Seems like his music library and love for Hardstyle, are as big as his talent and improvisation skills. Jisk Lieftink, The Hardstyle Pianist, has been sky rocketing into the spotlight, after getting noticed and recognized by heavy names like Angerfist, Wildstylez, Ran-D, recently collaborating with Andy Svge on a track that is surely going to be a melodic master piece.

The versatility of his style and unique sound, transforms every melody into an instant classic. Ranging from Headhunterz Lessons of love to Gunz for Hire Plata o Plomo, Jisk isn’t afraid to cover the whole spectrum of the harder styles, adding his own spin to it all. Around Christmas time he recorded music video, for what he says was his favourite track from 2016, Wildstylez Encore; and enlisted the talented Judith Vander Klip to accompany him on her violin. The perfect chemistry between them, calm lighting and gorgeous set, makes you gain appreciation of the beautifully crafted melody, that sometimes may fall second to the power of the beat.

Growing up in the 80s, at the birth of electronic music, one thing we got tired of hearing was “it’s not even music, there’s no instruments”. Stripping the tracks of all the “computer sounds” (as my father would call it) and showcasing it with such grace while still displaying the strength behind it, it’s why I can’t get enough of his YouTube channel. His views count sky rocketed from 2 to 58k when Angerfirst shared his Mashup piano cover and requested him a track, which is coming very soon.

 

He was also a guest at the legendary Freqshow and managed to silence a sold out Ziggo dome to perform Audiotricz Inception, making grown men weep in the crowd. Kicking off the new year with Villain on stage of the biggest Hardstyle party of the NYE! His delivery of emotions through his beloved keys is so on point, I dare you to watch the video bellow and not get goosebumps more than once.

This was my way going into a new year, together with the Hardstyle Pianist 💣#TeamVillain for #Hardstyle

Posted by Villain on Tuesday, January 24, 2017

 

So what’s next for The Hardstyle pianist? He’s currently looking for management (so if you’re into gold mines, you’re welcome). And he has so much going on with offers coming from everywhere, he’s taking it one day at a time, planning his next steps. He is planning to perform at Defqon in June. And his goal is to create his own act for Dance events which would allow him to travel and perform at festivals around the globe. He’s also recording an album in the near future that will feature a lot of his, and crowd favourites, since he receives thousands of requests every day. As a fan, I’m very excited to see him grow while he continues to surprise me with new covers almost daily. If you follow his Facebook and YouTube channel he will become your new addiction, as he is already mine.

By Leti Lopez

Articles, Daybreaker, Events

Electric Daisy Carnival Day Two: An Interesting Observation

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After arriving virtually at the end of EDC day one, I decided that I would arrive before the doors even opened on day two because missing a line up on any day, especially Friday, is just uncalled for to a die hard fan of hard dance music. But then something occurred in the middle of my journey through the “Basscon WasteLAND” that even I was surprised about…

Day two was opened by Mekanikal, who was playing as I went down the log flume ride to cool myself down. He played very well, and with a few more obscure tunes than the other headliners for the event, which was appreciated, because by the time Max Enforcer had come on it was pretty much the same context (and tracks in other headliner’s sets) throughout the rest of the event. Bioweapon was the biggest deal of day two for this writer, because just like at Basscon’s standalone wasteland event, they played more aggressively and played older tracks from the 2008-2010 period that I couldn’t help but dance and sing along to, which is an awful idea when you’re trying not to go all out at the very beginning of a day at EDC to conserve for the later portion of the evening. I was working on catching up on media, but through friendly sources I was told that Brennan Heart may have been the act that stole the show. He was one of the acts that not a lot of hardstyle fans had gotten to see prior to EDC and he played all of the tracks people were hoping to hear, and apparently the one track that stood out the most was “Wake Up!”, Brennan’s track with The Prophet.

This was the last I was going to see of the WasteLAND stage for night two, and as I was heading over to the BassPOD stage to see drum and bass hero, Andy C, when a fire had broken out on top of one of the orbs that were in the middle of the crowd, and they had shut down that stage until the situation was taken care of an hour and a half later.

Upon walking back to the car, I couldn’t help but think about a few things that have apparently popped into my head throughout night two…I found myself to be more impressed by the BassPOD stage in multiple instances but at the WasteLAND stage, the impression hasn’t occurred yet (although I know it is about to Sunday evening). Is this because each act played a lot of the same tracks in their sets? Is it because each act, with the exception of Bioweapon, had the same, seemingly reserved sound? Or is it because a lot of the mainstream style sounds of hardstyle are just simply running their course? It’s hard to tell at this point, but I found it an interesting observation (and feel free to leave any comments on the matter).

Sunday night has a lot more unique acts in store such as Wasted Penguinz, the set I’m looking forward to most, Radical Redemption, whom I’ve never seen before, and of course, the man with the mask, Angerfist, who is playing the closing set of the event. Tonight also looks like the night that I am going to want to stay at the hardstyle stage instead of wander over to the drum and bass stage looking for a better show.

Until then, The Hard Data will be posted up at GABBERFEST 2016: America’s Hardest, which you can view LIVE right here on Grooveo: https://www.grooveo.com/home?groove_id=204

Articles, Interviews

DJ Buzz Fuzz: The Trauma Harder Styles 2016 Interview

This interview was conducted back in August of 2015 by Mindcontroller when Buzz Fuzz and a few other names on this current line up of the Trauma tour first came through the US. Seeing as it is important to get to know who you’re going to go see, let this be the manifest of the legendary Buzz Fuzz so that you can pay your proper respects when he rolls through your town! Buzz Fuzz will be appearing this Friday, February 19th in Mesa, Arizona. February 20th in Denver Colorado. Pittsburgh, Pennsylvania on the 26th, and closing in Brooklyn, New York, February 27th! Hard en heerlijk!

Artist dates for the Trauma Tour
Buzz Fuzz is coming to a city near you! Click HERE to purchase your tickets to the Trauma Tour and receive a FREE subscription to the HARD DATA!

What year did you get into DJing/the Rave scene?
1987. I was playing hip-hop, swing beat, and R&B in a religious club.  The rave portion started in 1991 where we played Hardcore/House.

What came first DJ or producing?
DJing. Then I started producing in 1993 with The Prophet.

What drew you to the Hardcore techno sound?
My ex girlfriend, actually. She invited me out. At the time, I didn’t know anything about “raving”. I went to the show and The Prophet was playing. At that point, I said, “Yes! This is going to be it.” I haven’t been out since.

What inspired the name Buzz Fuzz? Is there a meaning behind it?
It was found in quick thinking. The guy who organizes the parties for ISB, the Hellraisers stuff, said he needed a new DJ, but I needed a name! I had this record from King B, and it said it’s the king ‘B’ for buzz and fuzz and since my last name is Vos, I decided to take those two words.

Who was your biggest inspiration in the early part of your career?

The Prophet, he was the first one to show me how everything works.

What was your first DJ gig as Buzz Fuzz?

It was in 1991 for ISB, the Hellraiser guy: ‘The Bloom Party’, and The Prophet said, “I was supposed to play with Dano, but he’s got the flu. You bring your three turntables and I’ll bring my three.”, so we’ve got six turntables and two mixers, and we connected it all together and played for six hours.

What’s the funniest moment you ever had during one of your performances?
One time I was playing in Amsterdam, and I was really fucked up; I could hardly stand. I was into vodka, pills, and stuff. Lenny D said, “Oh my god Buzz, are you going to be able to play?” I said, “Just get me to the turntables!”, and I played a marvelous set. No mistakes. Then I collapsed right at the end.

What would you consider your best DJ gig to date? Thunderdome in Hamburg, and Dance Valley.

DJ Buzz Fuzz performing for Thunderdome in Florida.
Buzz Fuzz playing in Thunderdome Florida!

What’s your favorite collaboration?
My work with The Prophet. We made a lot of tracks in his studio. When we get together it’s like magic. We would finish two tracks a day! And Gizmo of course. We made seven tracks in two days. One of them was Brand New Dance. We were really fucked up but the track was, and is, still awesome.

Hardcore has really changed since the ’90s. What’s your take on today’s Hardcore scene?
I think mainstream Hardcore has gotten too simple. Everybody’s producing the same style. And there is even more mainstream now.

Out of the new batch of DJs and producers out there, who’s your favorite? Whose sound stands out the most?
Angerfist. I discovered him. I was playing in Austria, where I received a stack of demo CDs. One was a double CD (Angerfist’s). It blew my mind. I referred him to Art of Dance. He became my protege, but that didn’t last long, he was already very good.

Any current projects?
My label, BZRK Records! It was laying low for a while, but now it’s back! I’m doing some collaborations with some new artists for it. The future looks promising.

Are you going to do any updated versions of some of your classics?
Oh yeah! Frequencies, an XTC Love remix by Deepack, and Brand New Dance.

What advice would you give to any up-and-coming hardcore producers?
Think with your heart, not your brain. That’s the main point. When you’re good enough, you can make it. Don’t try to copy. Be yourself.

 

Purchase your tickets to the Hard Data!
Catch Buzz Fuzz on the last four dates of the Trauma Tour!
Articles, Events, Reviews

Field Report: Trauma Live’s Harder Styles Tour 2016: Los Angeles

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The first leg of the Harder Styles Tour 2016 culminated in Trauma Live’s home town, Los Angeles, CA last night, and I continue recovering from it as I type these words, dear reader. After dropping off my bud Nickolai at 5:30 am, I couldn’t help myself and indulged in that classic Angeleno vice: doughnuts. Sure, I screwed up my shaky gluten-free diet, but I needed the extra sugar rush to make it up that last bit of the 405. I inhaled an apple fritter—daring the last few exits to where I remembered my bed was. I crawled into it at 6:00 AM for the first reasonable amount of sleep that I had the chance to partake in since Thursday.

Posted by Joel Bevacqua on Monday, February 15, 2016

(DJ Mad Dog broke the chain in LA once again!)

I had to stay up every minute I could though, to witness a pioneering concert tour that will be long remembered. Future promoters read this line-up and weep because you will never see anything like it again: The Prophet, Scott Brown, Rob Gee, Vortex, Placid K, and Super Marco May. BAM! All certifiable legends in their own right, combined with hardcore superstar Mad Dog, and the first ever American appearance of Amnesys and The Melodyst who represent the next great wave in hardcore EDM/techno, or whatever the hell we are calling it now. Put that in your pipe and smoke it man, that line-up happened and I got to see the whole thing 3 times (save a couple hours in San Francisco because of a complete flight scheduling disaster).

I was an hour early to the Los Angeles show at Club Nokia, mainly because I was playing the very first set in the VIP lounge with DJ Mindcontroller. We were assigned the task of representing classic rave on vinyl with our set, which we gladly delivered to the old school heads. We couldn’t help playing some real cheezy stuff though. I mean, I hadn’t played the Lords of Acid’s “Take Control” in decades, and this was the perfect scenario to indulge in such vice. We were followed by Lostboy and Demigod, who represented the more UK breakbeat sound for the most part.

Demigod gets classic!

Posted by Joel Bevacqua on Tuesday, February 16, 2016

(Demigod gets classic!)

Thee O, Steve Loriah and Scott Brown (playing classics) followed it up in fine fashion, apparently, but I can’t directly report on them since I was busy downstairs at the time getting hammered by hardcore. Like the last Trauma show, there was so much going on in both sound areas you always had to make critical choices. You were going to see and hear something great, and miss something great no matter what you did.

I chose to be in the main area at about 2:00 AM where Placid K ruled last night. He laid down some brutal hardcore law during his short set that brought demons young and old out on the dance floor. A tough, driving, crushing kick is what this crowd wanted, and he hit ‘em with it perfectly.

Who was this crowd? It was classic LA hardcore, but with lots of new faces. Yeah, there were plenty of old schoolers, but it was definitely the newer hardstyle and rawstyle generation that filled the floor. Placid K has played in LA a few times earlier, so he knew how we want it served up, and he dished it out hot.

Amnesys at Trauma LA

Posted by Joel Bevacqua on Monday, February 15, 2016

(Amnesys hammers the crowd at Los Angele’s Club Nokia)

Earlier in the night, like a fly on the wall, I got to hear a few DJs bitch about their set times in the dressing room, which happens frequently with DJs. Since there were so many stars on the line-up, the max set time was 45 minutes, most got 30. I had seen Amnesys in Edmonton, and he was great, but forced to constrict his set into 30 minutes, I dare say it might have been even better. His mixing was fast and superb. He actually used the effects on the Pioneer mixer, rather than just pretending to do so like some other EDM superstars. The guy can mix, its that simple, and he condensed all the power of his set into a small window that made it hit even harder.

Before the tour began, a few heads were complaining that the set-times would be too short on this tour. I say from experience now, that is total poppycock. Set after set was awesome. It was just all the best stuff. I know that some of you who read a “10 Tips for DJs” blog post think you know about mixing when you can wax eloquently about how a DJ needs time to build his or hers vibe. You ain’t impressing me no more with this beat-to-death meme. The Trauma line-up took their best stuff, condensed it down to the ultimate essence, and working in tandem, let it rip. There was never a dull moment. It hit hard and constantly. Super Marco May, Vortex, Scott Brown (who played two sets that night, happy hardcore in the main room and classics in the VIP Lounge), The Prophet, Mad Dog, The Melodyst and Rob Gee were all freaking ON FIRE. Mad Dog and The Prophet had the biggest crowds, as they were the headliners, but the drop off to the very last note Rob Gee played was virtually nil.

This actually created a bit of a problem for me. I vowed to pass out a copy of The HARD DATA to every attendee at the show. So I lined up 4 guys to help me out, Stephen Hughes, Nickolai, Alex Murphy and Jesse Simons. So I pull these guys out of the main room at like 2:30, telling them we gotta be ready at the exit for people to leave. No one did! So basically they were all probably mad that I broke them away from the show needlessly. Everyone waited for the last note of Rob Gee’s set at 4:00 AM to leave, and fortunately those 4 hombres had my back to get our favorite ‘zine into everyone’s hot little hands at the end.

Speaking of Rob Gee, I have to give the man big props for not only his riveting sets, but his dedication to the fans. This cool cat named Jackson had drove all the way from Texas to see the show, and wanted to meet and greet the artists Something got messed up and despite buying the VIP pass and all, he didn’t get a chance to do so. So Stephen Hughes texts me in the middle of passing out THDs to tell me about this. I go back stage as Rob is getting ready to leave the venue and let him know the situation. The Gee-man hopped off the stage in a flash and was out there to meet Jackson and make sure he didn’t drive back to Texas without meeting one of his hardcore heroes. It was a great way to end a great show, and the Trauma Harder Styles Tour, leg 1, was complete.

So I have 4 days to get my Trauma-tized life back in order before I head out to Mesa, Arizona to meet up with Brandon and the SDK crew for leg 2 of the tour and another sick line-up. I mean, look at this slate of artist joining the tour and stare in disbelief:

Alien T
DJ BUZZ FUZZ
Digital Punk
Dr. Peacock
MC Ruffian
Meccano Twins
Partyraiser
Rotterdamterrorcorps
SRB / Dione
Tommyknocker

After that is Denver on Saturday, and then leg 3 is Pittsburgh and Brooklyn. So stay tuned folks, and remember, the rhythm is life and death!

Deadly Buda

Articles, Reviews

Field Report: Trauma in the Golden Bay

Posted by Joel Bevacqua on Sunday, February 14, 2016

Like opera in a construction zone, hardcore techno and hardstyle sang through the city of San Francisco last night, to the utter delight of the Bay Areas’s harder styles faithful. Fittingly, in my dutiful jaunt through the fabled city, I came upon a man doing just that, singing opera in a construction zone. I believe his name is Robert Grant. Coincidentally, in quite operatic fashion, a group of crazy Italians would help strengthen a growing Bay Area harder styles scene. DJ Vortex, Super Marco May, The Melodyst, Amnesys, Placid K and DJ Mad Dog represented the boot-shaped country and fittingly kicked the Bay Area into overdrive. They were joined by the up-and-coming Tonegenerator, legends Scott Brown, Rob Gee, The Prophet, and adroitly MC’ed by Mike Redman.

My review unfortunately is somewhat incomplete though, I must confess. Because of a scheduling foul-up at the airport, and weather delays out of Edmonton, Canada that afternoon, I would not arrive to the Regency Ballroom until almost 11:30 last night. Approximately 7 hours was spent by yours truly yesterday and night en route to San Francisco.

Finally my flight arrived in San Fran to witness DJ Mad Dog

Posted by Joel Bevacqua on Sunday, February 14, 2016

Nonetheless, I caught the tail end of The Prophet, who as expected, rocked the crowd to an appreciative hardstyle fan-base. He was followed by DJ Mad Dog, who continued his path of North American destruction, making the crowd go bonkers. Placid K followed with his signature classic hardcore style. The Melodyst picked up after that with their new school sound and the exclamation mark was put on the end of the night by Rob Gee.

Frankly all the sets I heard were just as banging in San Francisco as in Edmonton the night before. What was interesting though was the San Francisco crowd itself. San Francisco in previous decades had a robust punk rock and industrial scene, producing legendary bands like the Dead Kennedys. So, that underlying spirit in the Bay Area has always existed, and it was just a matter of time until some aspect of it surfaced again. What I saw was a spark of a new scene developing. That perfect moment when everyone in the crowd gets to know each other. It was pretty cool seeing the crowd go for it to music that was mostly new to them. Many people came for the bigger names, but were exposed to new things they liked, and got to meet like-minded individuals in the process.

It would unfair to call it the “birth” of a scene when crews like Spaz and 5lowershop have been doing underground hardcore parties for decades now. But, there was a whole new wave of ravers and party-goers getting their first taste of rocking out to a wide spectrum of the harder styles! Next stop: Los Angeles.