Tag Archives: Thunderdome

He was stage-diving at raves before it was cool. Or safe. He’s blasted tracks around the globe and September 8 straight to your dome! Ladies and gents, let’s give it up for DJ Delirium! Here’s a little more from the man to make sure you’re in Brooklyn September 8th to hear him throw down…

Are you from Jersey?

I’m from Jersey. I am soooo influenced by my geographical location that I wrote a track about it.

How’d you get your name?

I was looking through the dictionary one day and I stumbled across the word Delirium. I was not quite sure of the meaning and after reading it I immediately felt that this was the perfect artist name for me and my Hardcore productions.

What are you giving the crowd?

I am trying to get the dance floor in a frenzy! The more energy. the better!! =] I like to play tracks that are hard but still have a party vibe. I play many different styles of Hardcore & Hard Dance Music: Old School Techno, Early Rave, Happy Hardcore, Hardcore, Dutch Freestyle, Subgroud. My tempo ranges between 130 BPM – 200 BPM. I like to scratch a lot and do tricks to give the crowd a little more energy. I really spend a lot of time trying to find tracks that I think are going to really get the dance floor going!

What moment do you cherish the most so far in your career?

I have been producing and releasing underground music for 26 years and already performed on some major events like Dominator, Thunderdome, Mysteryland, Defqon.1, EDC – Vegas, Ground Zero, played all over the USA, Holland, Germany, Belgium, Italy, Spain, Switzerland, Russia, Canada, and even Hungary.

BUT, one of my biggest moments of my career was performing at my first Thunderdome event in Leeuwarden, Holland on April 20th, 1996.This was my first performance to a crowd of 20,000 people and I really rocked the house! People still talk about my set and my performance that night! It went so well that I decided to do a stage drive at the end of my performance. Unfortunately, the stage dive did not turn out too good and the people were in shock and did not even try to catch me!

What specifically are you planning to give to the audience at Hard Electronic?

I will be filled with positive energy and many new tracks! One special surprise is a brand new remix from Tommyknocker of DJ Delirium & Buzz Fuzz – Immortality! I also plan to play some new stuff from my label with Satronica & John Bas, Kontaminated Recordings. Which, by the way, please help support our brand and label!

Socials…

Facebook

https://www.facebook.com/djdelirium/

https://www.facebook.com/kontaminatedrecordings/

Soundcloud

https://soundcloud.com/djdelirium

https://soundcloud.com/kontaminated-recordings

Websites

http://www.djdelirium.com/

http://kontaminatedrecordings.com/

Twitter

https://twitter.com/djdelirium

https://twitter.com/kontaminated

Instagram

https://www.instagram.com/djdelirium/

https://www.instagram.com/kontaminated/

Articles

How I Learned to Love Hardcore

September 1, 2017 Low Entropy 1 Comment

How did I get into hardcore? It was 1995, I was 14 and heavily into rave and hard trance. That sound swept through Germany, it was essentially mainstream—much more popular than trance or house is now. Hardcore was a part of it, but unlike the happy rave sounds, it was boycotted by the TV and radio stations (which unlike today were the main source for new sounds.) I asked my rave friends about hardcore, and most said two things: “Good for dancing, not so good for listening” and “Terrordrome is better than Thunderdome”.
Then, one night the following happened. MTV’s Party Zone was on. Some guys I’ve never heard of—Alec Empire and others—were talking about a label I never heard of, Digital Hardcore Recordings. They played the video for Atari Teenage Riot’s “Speed”, which took place inside a squat. I instantly knew that was where I’ve always wanted to be, and the sound I’ve always wanted to hear. There was no return.

A few months later, I got internet, and found out more about this DHR. The DHR webpage mentioned labels like Fischkopf, Napalm, GTI, and Bloody Fist. I was thrilled. Fischkopf was a hardcore label in the city I lived in! How exciting.

I was 15 by this point, and and started to learn more about the gabber side of things. I learned that Mokum was one of the most respected gabber labels around, so I bought Cyberdrome Alien City Part 1, one of their compilations. It introduced me to artists like Wavelan, Speedfreak, and Chosen Few. I knew now hardcore was the thing for me. The next compilation I bought was Thunderdome 12, and then Industrial Fucking Strength. That one really hit me hard. When DJ Skinhead came on, I was legitimately frightened . I had to take the CD out of the player before it was finished!

More compilations followed, and I became lost to hardcore and gabber. I finally picked up something by DHR—Alec Empire’s Destroyer Album. I was surprised how “dark” it sounded compared to the more upbeat Mokum and Ruffneck stuff I listened to. It took me six months before that album really grew on me.

I found out Fischkopf was run out of a techno store in Hamburg called Container Records. I headed there, went up the stairs to the store, and entered paradise! A wall with “hardcore” written on it (next to some fancy skulls) and full of underground hardcore CDs. The full section of hardcore vinyl was categorized by labels, sublabels, and in the case of Fischkopf, even by releases (one folder full of Fischkopf 12, for example). I bought Ec8or’s self-titled album and a Fucking Hardcore 5 CD. The former, again, took a while to grow on me. The first vinyl I bought was Fisch 14, Eradicator’s Agit Prop LP. When I heard the first track on it—with the “everything is war” intro—I fell in love.

So that’s how I got lost in hardcore.

Articles, Interviews

DJ Buzz Fuzz: The Trauma Harder Styles 2016 Interview

February 18, 2016 Daybreaker

This interview was conducted back in August of 2015 by Mindcontroller when Buzz Fuzz and a few other names on this current line up of the Trauma tour first came through the US. Seeing as it is important to get to know who you’re going to go see, let this be the manifest of the legendary Buzz Fuzz so that you can pay your proper respects when he rolls through your town! Buzz Fuzz will be appearing this Friday, February 19th in Mesa, Arizona. February 20th in Denver Colorado. Pittsburgh, Pennsylvania on the 26th, and closing in Brooklyn, New York, February 27th! Hard en heerlijk!

Artist dates for the Trauma Tour — Buzz Fuzz is coming to a city near you! Click HERE to purchase your tickets to the Trauma Tour and receive a FREE subscription to the HARD DATA!

What year did you get into DJing/the Rave scene?
1987. I was playing hip-hop, swing beat, and R&B in a religious club. The rave portion started in 1991 where we played Hardcore/House.

What came first DJ or producing?
DJing. Then I started producing in 1993 with The Prophet.

What drew you to the Hardcore techno sound?
My ex girlfriend, actually. She invited me out. At the time, I didn’t know anything about “raving”. I went to the show and The Prophet was playing. At that point, I said, “Yes! This is going to be it.” I haven’t been out since.

What inspired the name Buzz Fuzz? Is there a meaning behind it?
It was found in quick thinking. The guy who organizes the parties for ISB, the Hellraisers stuff, said he needed a new DJ, but I needed a name! I had this record from King B, and it said it’s the king ‘B’ for buzz and fuzz and since my last name is Vos, I decided to take those two words.

Who was your biggest inspiration in the early part of your career?

The Prophet, he was the first one to show me how everything works.

What was your first DJ gig as Buzz Fuzz?

It was in 1991 for ISB, the Hellraiser guy: ‘The Bloom Party’, and The Prophet said, “I was supposed to play with Dano, but he’s got the flu. You bring your three turntables and I’ll bring my three.”, so we’ve got six turntables and two mixers, and we connected it all together and played for six hours.

What’s the funniest moment you ever had during one of your performances?
One time I was playing in Amsterdam, and I was really fucked up; I could hardly stand. I was into vodka, pills, and stuff. Lenny D said, “Oh my god Buzz, are you going to be able to play?” I said, “Just get me to the turntables!”, and I played a marvelous set. No mistakes. Then I collapsed right at the end.

What would you consider your best DJ gig to date? Thunderdome in Hamburg, and Dance Valley.

DJ Buzz Fuzz performing for Thunderdome in Florida. — Buzz Fuzz playing in Thunderdome Florida!

What’s your favorite collaboration?
My work with The Prophet. We made a lot of tracks in his studio. When we get together it’s like magic. We would finish two tracks a day! And Gizmo of course. We made seven tracks in two days. One of them was Brand New Dance. We were really fucked up but the track was, and is, still awesome.

Hardcore has really changed since the ’90s. What’s your take on today’s Hardcore scene?
I think mainstream Hardcore has gotten too simple. Everybody’s producing the same style. And there is even more mainstream now.

Out of the new batch of DJs and producers out there, who’s your favorite? Whose sound stands out the most?
Angerfist. I discovered him. I was playing in Austria, where I received a stack of demo CDs. One was a double CD (Angerfist’s). It blew my mind. I referred him to Art of Dance. He became my protege, but that didn’t last long, he was already very good.

Any current projects?
My label, BZRK Records! It was laying low for a while, but now it’s back! I’m doing some collaborations with some new artists for it. The future looks promising.

Are you going to do any updated versions of some of your classics?
Oh yeah! Frequencies, an XTC Love remix by Deepack, and Brand New Dance.

What advice would you give to any up-and-coming hardcore producers?
Think with your heart, not your brain. That’s the main point. When you’re good enough, you can make it. Don’t try to copy. Be yourself.