Tag Archives: rave

Trauma One Year Anniversary: All My Expectations Were Broken

It didn’t feel like it we attended Trauma Oldschool for the Headstrong just this time in August 2015. However just this past Saturday marked the one year anniversary for Trauma’s return (formally TR-99) and saying we celebrated accordingly would be an understatement. I started my night off early already knowing what to expect, well at least I thought I did….

The night began with a unique set from LA’s own Deadly Buda,whom played a hard electronic set for his first hour. This would be my first time hearing it live, but when guy’s like Lenny Dee are pushing this style, I guess I couldn’t ignore it. The best way I could explain it would be “Subground style with an industrial soul”. It wasn’t easy to get into at first, but the industrial heaviness paired with the clashing effects of modern electro is definitely up and coming. The doors opened and kids dressed in their handmade fur and kandi attire, to throw back T-shirts started to fill all the rooms at Union gradually. It seemed like the music only got louder as more people filled the floors. Deadly Buda had the chance to fill the second slot after him, in which he transitioned into a classic/mainstream hardcore set which set the pace for the whole night. (Well at least till Tim Shopp hit the decks but we’ll get to that later)

By the time he was done I had already been freely moving between the venue, sometimes getting lost, but it wasn’t hard to pick out who was playing in the different rooms. I found myself gravitating towards definitely the main stage and the smaller downstairs for separate reasons. The main stage was pumping out the best production and sound with the largest crowd, but there was something special to be attributed to the smaller room. I caught a good portion of Demigod early in the night. I was surprised when I was outside and I saw someone bust out “United States of Hardcore” cassette tape for him to sign. After that I knew it was going to be sweet classic satisfaction every time I curved that corner to hear the sound that caught me in the first place. It wasn’t long till almost all rooms were packed, bars were busy and there wasn’t a time when people weren’t busting out a fat hakkuh. (Including myself)

Tim Shop, Deadly Buda, Levenkhan
Tim Shop, Deadly Buda, Levenkhan at Trauma 1 Year Anniversary

Although I live for hardcore, I would occasionally have to side step to the sounds of Drum n Bass & Jungle as I moved between downstairs and main stage. I can’t recall a time where I would walk by and not have the urge to stop. Not being an expert on the subject matter, it didn’t take a jungulist to look to the small side stage to see the same dedicated fans dancing their hearts out.

I returned upstairs to prepare for the last half of The Pitcher but over the years my ear for Hardstyle has been getting worse. That didn’t stop myself from jumping to the absolute Rawstyle and Old-school he was throwing down. I’m even sure the crowd never missed a beat as he slipped in a couple Hard House hits from the origin days. I’ll have to admit I was itching for some faster pace at that point but I may have tried my luck a shuffling again, poorly.

I migrated downstairs for a while because I kept hearing rumors that Ron D Core and DJ Dan we’re still playing a tag vinyl set together. I did some quick thinking and realized that they were already almost playing for 2 hours, some say 3 but regardless I showed up that weekend to hear some classic Hardcore and I left only wanting to hear more. I simply couldn’t get over the attachment everyone had in that room to the music. Even to some of these native west coast hard heads, this music is blood to them. The sweat and tears was only reinforced my thoughts. I hope to experience that again soon.

Between the familiar faces from people traveling all around for different acts, and the nice weather, it was hard to prevent myself from going outside. Not once did I hear a shred complaints (Except the unplanned absence of Kevin Kaos, sorry Lisa). I wasn’t really sure why I didn’t buy a taco once while I was out there but, who knows? I got into a couple conversations and I was surprised that to some this was their first Hard Dance event. I assumed the line-up and anniversary title would bring out a specific older crowd. I guess the theme of the night was how much I could be proved wrong. Anyhow, the newcomers were stoked to say the least and in their reaction I only knew that wouldn’t be the first time I’d see them

Oh man, I haven’t even got to good part yet. I returned to my rightful place at upstairs main stage, some would call it entitlement but if you’re not causing damage, well you might be in the wrong place. Decipher took the decks and I could’ve swore the floor almost went down under. The tall shadowy Ozzy  stepped up for his first time in LA and makes you wonder why only the first time? The ground was shaking, fists were pumping, and you would be wrong if you thought there wouldn’t be a pit for the angriest. It was a mix mash of some of the best hardcore mixing I’ve heard in awhile and I hope that people will notice what kind of unique talent he brings to the decks.

Jerome Hill looking out for Flapjack!
Jerome Hill looking out for Flapjack!

As Decipher ended his set you could already tell by looking around the room who was next to take the stage. The room went black, the strobe hit and before you knew it you we’re in Noize Suppressor’s world. The look on people’s face went from cheery to hard frowns and ugly grins. The madness had arrived. Being a fuge fan of Noize Suppressor for a long time I was more than excited to hear my favorite tracks and from the way the crowd was screaming the lyrics without a care for having a voice the next morning, I wasn’t the only one. For a good while there the solo strobe combined with a violent mosh made for a experience I thought only existed at concerts but the music had people feeling a certain way, and not in the typical loving way at most events. The highlight was easily the successful crowd surf which apparently is a once in while opportunity. He smashed out the ending with well preparation for was about to be in store…

Everything went silent, the room filled, and all you could hear people screaming for and calling one name, america’s own Tim Shopp. An abnormal BPM took over if you aren’t too familiar with the name but that was a good night to learn, and easily one of the best sets from the man in my opinion. Although we didn’t see him in his usual bomb vest, that had nothing to do with how he had the crowd to their knees. Well at least most of them, it almost as he felt he was challenging the crowd. How fast and hard could he go? Turns out this is the future and no one was missing a beat. Being the number one talked about hard dance upcoming producer in the US since his release of “Terror Squad” hitting top charts on Hardtunes it wasn’t difficult to see why. The ante kept climbing with the murderous kicks and faster tempo, the weak one’s feet began to slow down but not a soul went anywhere till the sound shut off. The party continued downstairs but by that time I had barely enough in me to go on but also wanted more at the same time.

The next morning the posts keep flooding my newsfeed and from everything I saw and heard the following night it was the first I actually got what I expected during that weekend. Ever since my interaction with Trauma Live and their staff it’s been nothing but good intentions and even sicker parties that aren’t just catered to the usual hard head, and for that reason I will always respect what’s to come next from the Trauma crew. The inside jokes and mixed memories will live on in the legacy of Trauma events. The mayor of Hardcore has my vote.

-Jarred M

The Raging Hard Roundtable

By Sean Hargrove & Tim Shopp

We’re here with the entire Warsong Presents: Raging Hard lineup, and we’re going to dig a little more into these guys minds to see what they’re really about!

HD: Zaki! Great to have you here man!  We’re wondering how did you get your DJ/Performance name, what does it mean?

Zaki: Well, funny question. The name actually means “Pure” in Arabic, but I found that out after I decided to use this name. Zaki was my nickname, so I just decided to use it as my artist name. It has kind of just stuck to me.

Zaki hails from Virginia Beach and will be playing the Hardstyle stage.
Zaki hails from Virginia Beach and will be playing the Hardstyle stage.

HD: Next up, mister Treachery!  How long have you been mixing/producing and how did you get started?

Treachery: I’ve been mixing Hardcore since 2007, though only seriously producing since 2011. Per my bio, I got started because I needed a music style loud and annoying enough to mask the screams of the victims tied up in my basement…

Treachery is signed to Industrial Strength and will be playing the Hardcore stage.
Treachery is signed to Industrial Strength and will be playing the Hardcore stage.

HD: Mekanikal in the house! Have you noticed changes in the scene since you started in your area or nationwide?

Mekanikal: Well certainly! The scene has grown a lot over the years since the beginning of my journey as a DJ. I actually didn’t come into the “local” scene until 2015, my first hardstyle show was DefQon.1 2013 in the Netherlands (I did the reverse of what DJs normally do haha). That being said, from what I’ve experienced, seeing local companies like Audio Havok, East Coast Hard Dance (ECHD), Fresh Entertainment, SDK, Denver Hard Dance, and countless more springing up across the country and getting into the hard dance market is really encouraging for the scene as a whole.

Two years ago, the United States wasn’t really seen as a strong player in the hard dance scene, but now we have become a force to be reckoned with!

There is a lot of positive things happening here in the states, and there are many negative things happening too. Like fans who shout out “defend the raw bruh!!” and others doing the same with euphoric hardstyle… Guys, grow up!

It’s all hardstyle and if someone doesn’t like the style you do, that’s okay! No one has to like what you do. Also, this is something I’m glad Warsong is doing…

The Hardstyle fans need to invest their support in the US hardstyle DJs. One of the reasons we don’t have a Defqon or a Qlimax in the states is mainly because you’re not investing enough in your local talent that’s getting signed to the same labels! Stop whining that “so-and-so shouldn’t be on this festival’s lineup because it’s taking the place of foreign DJs.”

We should be celebrating the USA DJs that get that opportunity, not saying they should be relegated to “local shows” to make room for the international DJs. We work just as hard and put together sets that don’t just highlight the “in” tracks. We make live edits, mashups, really try to make each set exclusive to the show. TL;DR, support your local DJs and get over the Raw vs. Euphoric debate.

Mekanikal is a Producer & DJ based in Washington, D.C. and will be playing the Hardstyle stage.
Mekanikal is a Producer & DJ based in Washington, D.C. and will be playing the Hardstyle stage.

HD: Levenkhan! What do you think about the current state of harder styles in America? (Both Hardstyle and or Hardcore)

Levenkhan: First and foremost thank you guys of the Hard Data for having us and spreading our sounds across the U.S. The current scene of the harder styles   has definitely grown a lot the past couple of years. From a very personal and underground rave scene it has evolved to a  bigger crowd and infected the masses. The hardstyle scene is at a steady climb, with a high end of quality producers and DJs from all over the U.S. I have faith it will grow to something much bigger.

As far as hardcore its been and will aways be a  bumpy ride. With a more dedicated underground fanbase hardcore is finally starting to get more attention with a much higher demand at most hard dance events. Its a complex  forgein sound for the average american mainstream ear but perhaps will reach a much bigger mainstream fanbase one day.

Overall in order for a successful growth of the harder styles in america we must set our differences (if any) aside and  all come in UNITY and a support  all national talent whether its an upcoming  local name or a bigger national name, GO SUPPORT  and watch the scene grow.

Levenkhan is a Hardcore DJ and Producer from New Jersey, playing the outdoor Hardcore stage.
Levenkhan is a Hardcore DJ and Producer from New Jersey, playing the outdoor Hardcore stage.

HD: Greetings Markove! What are you trying to convey through your music? Are there any themes or ideas that are important to you? Is there anything in particular you find yourself wanting to communicate to the audience?

Markove:   My personal experiences and how I’ve endured form the basic message behind my music.  In the past two years I’ve gone through a lot of firsts.  Many I hope won’t be repeated.  All things considered, however, I’m only one person in a world of many.  Everyone lives through events they don’t want to intentionally experience.  My message is a simple one – you’re not alone.

Inspiration.  Motivation.  Renewal.  I want the crowd to feel these emotions every time I perform.  For me, the medium doesn’t matter.  Whether it’s through my online podcast or a live set, I want every person to experience the same realization:  your potential is unlimited.

Markove is a Washington, D.C. based Producer and DJ playing the Hardstyle stage
Markove is a Washington, D.C. based Producer and DJ playing the Hardstyle stage

HD: Hello Problem-Unit! Have you played Baltimore or the East Coast before? How did it go?

Problem Unit: I mostly play the east coast area, NYC to DC, as far west as Pittsburgh. Probably the best time I had playing Baltimore was at a warehouse near the stadium / Paradox. It was a mult – gig night for myself and a friend of mine, and by the time I got to the venue it was time to play, I was wired, and threw down hard. It was a blast to say the least.

Problem Unit is based in Perkasie, PA and will be spinning on the UK Hardcore stage.
Problem Unit is based in Perkasie, PA and will be spinning on the UK Hardcore stage.

HD: How are you doing Dr Jer-Z? Do you have anything special planned for the party (btb set, all vinyl, live PA, guest performers/dancers etc)? Do you plan to play a specific genre? Oldschool throwbacks? Original productions? Rawstyle or euphoric?

Dr Jer-Z: What’s up Hard Data! Im really excited about this event. Definitely do have something prepared. I’m a reverse bass guy so there will definitely be that hard pounding bass involved in my set. Some Rawstyle and Euphoric will be present but I’m all about energy when it comes to my sets. I do have some new original tracks/remixes that I’m going finish for this event. Can’t wait to be a part of this event and to play with some of the best local artists.

Dr Jer-Z is a Hardstyle DJ from Palermo, Italy, playing the Hardstyle stage.
Dr Jer-Z is a Hardstyle DJ from Palermo, Italy, playing the Hardstyle stage.

HD: Mad Effort and Cheif! You both will be hosts of stages on this night! How does it feel and are you guys looking forward to specific acts?

Chief: It feels awesome to be witnessing the birth of yet another team on the east coast that has genuine passion and desire for the growth of our Hard Dance scene. I’m excited to be included in this event because as the culture spreads, it’s an honor to be able to say I was there with Warsong from the beginning. Being a part of something already established is fantastic but when you play a part in something from its birth, it’s special and the potential is endless. Truth be told, I’m not looking forward to any act in particular because every artist on here is known for throwing down well, so I expect nothing but the best from everyone as they always deliver. Looking forward to going back to back with Mad Effort because it’s a rare opportunity that there’s another individual rocking the mic alongside me with an equal amount of passion. It creates an atmosphere that isn’t mine and isn’t his but can be stronger than both. Not to mention, this is my first time officially hosting in Baltimore so that alone is keeping me amped up for this. I’m very proud to be a part of this culture.

MastaChief is a hardcore and hardstyle MC from New York, NY, hosting the Hardstyle stage.
MastaChief is a hardcore and hardstyle MC from New York, NY, hosting the Hardstyle stage.

Mad Effort: Im really looking forward to my first time hosting on my own  for a big event , and at an all hardcore stage no less! With three stages of pure hard dance, this show really will be something unique.

As far as the artists go, I can’t think of a better lineup as powerful as what we’ve got packed for June 11th. I’ve got something special in store for the show, but I’ll let you guys see for yourself when the time comes!

MCMADEFFORT
MC Mad Effort is a Hard Dance MC from New York, NY, hosting the outdoor Hardcore stage.

HD: Tim Shopp! Happy to have you here once again with Hard Data! Is there anything you want to say that we haven’t asked about yet? Do you have any upcoming projects or tours to promote, or anything special or shout outs you want to say?

Tim Shopp: Its always an honor to chat with you guys and catch up! I just have to first off thank Warsong for hosting this event. For anyone who knows me on a bit of a personal level will know my true feelings about how much i believe these American talent based shows are the key to the growth of everything here in the states! Its shows/lineups like these that people need to support most in order to gain for the future music/talent and big things! I will save that rant for another day haha!

Projects, I’ve lost count on! Im working with so many artists and close friends that i think i start a new project just about everyday! Plus i have huge things coming with labels and just recently got to announce ill be making an official anthem for my friends at SDK Events for their show this summer Phobia. Not to mention the amount of tracks I’m also working on as my trio Extreme Team (with Levenkhan and Mad Effort)! Still blown away on how amazing this year is for me!

As for tours, I have what I believe to be a mini world tour this summer! Warsong will be the kick-off, then ill be in Vegas for Gabberfest (both days). Taking some lovely time off in Holland for some studio dates with people and to experience Defqon once more. Then back to Holland in July for a show that is TBA, and finally Phobia in August! Thats all i can say…for now.

Tim Shopp is an Uptempo Hardcore & Terror DJ/Producer from Middletown, NJ, Playing the Hardcore Stage
Tim Shopp is an Uptempo Hardcore & Terror DJ/Producer from Middletown, NJ, Playing the Hardcore Stage

HD: Last but certainly not least the man behind it all! Patrick aka Warsong! First of all, what a lineup! How did this all come about, what does Warsong mean to you, and why an all American talent lineup?

Warsong:

Because this is America after all. The hardest nation on Earth. Seriously though, people tend to underestimate the American scene, and I feel like oftentimes due credit isn’t awarded to our DJs and producers when it otherwise would be.

We’re excited as anyone to go to Defqon1 this summer, and we felt like it would be cool to bring all the Americans together to get pumped before crossing the Atlantic.

As far as our name goes, we see Warsong representing music that’s fundamentally aggressive and energetic; it’s evocative of a battlefield. I like to think of a mosh pit as a war zone — except we’re all on the same side

Well thank you all for taking the time (and patience) for all of this! It’s our honor to have spent this time with you all, and hope to see you all very soon!

Raging Hard Brings Hardstyle to Baltimore

By Sean Hargrove

It’s no secret that the East Coast rave and warehouse scene has been lacking the harder styles lately. As club nights fill with bombastic trap and pretentious deep house, hardcore shows like this years TRAUMA  Tour have been far between and fans of hardcore have had fewer and fewer opportunities to throw on their UFOs and shuffle. Tim Shopp and Warsong Presents want to change this June 11 with Raging Hard  at Bambou in Baltimore, Maryland.

Featuring hard dance legends like Darksiderz, Raging Hard boasts an eclectic lineup of hardcore favorites from all over the country. Across 3 different stages, ravers from all along the east coast will gather at Bambou in Baltimore to get down to a diverse mix of  Hardstyle, Hardcore and UK Hardcore.

The main stage will be dedicated to hardstyle and hosted by New York native MC MastaChief. Headlining the hardstyle stage, Darksiderz will be playing his signature dark style with new favorites like Mekanikal from Rochester, NY and Markove from Washington, D.C.  Joining them on the hardstyle stage are Dr Jer-Z bringing Jumpstyle from Monreale, Palermo, Italy and Virginia Beach favorite Zaki.

The Outdoor Hardcore stage will have a mix of Terror, Uptempo and pure old Hardcore, hosted by MC Mad Effort from New York City. Featuring uptempo sets from hardcore heros like Treachery and Warsong’s resident terror producer Tim Shopp. Alongside them will be New Jersey hardcore favorite Levenkahn and Dj Bizarre.

Warsong also added a third bonus stage devoted to UK Hardcore. Bringing you euphoric synths and hard kicks all night will be Arcada alongside master of melody and cheese Happy Daze. Philly’s own DSM resident Problem Unit will be opening the stage with a mix of UK Hardcore and breaks.

Tickets are on sale now starting at only $15 for presales or $20 at the door. The event is 18 and over, starting Saturday, June 11 at 8:00 PM at Bambou, 229 N. Franklintown Rd, Baltimore MD. Click Here to RSVP to the Facebook event or find out more details.

Altern 8 Interview at TR-99’s Trauma

Last August Altern 8 visited Los Angeles courtesy of TR-99’s Trauma party. It was a great honor meeting these guys, as Altern 8 unalterably shaped rave culture by ways of the massive impact of their music and persona. I lucked into a thorough interview (hence the delay in upload) with Mark Archer and Josh Doherty before they would play that night, and here is what they had to say…

How about a history lesson on what you were doing in the late ’80s – early ’90s that made Altern-8?

Mark:  It started in ’89 working with Chris Peat, one of the original members of Altern-8. We were working together as ‘Nexus 21’. I was heavily influenced by Detroit Techno at the time. We were owed some studio time where we were working, Blue Chip Studios, Stafford. We went in, and made about nine or ten tracks. It had further influences than just Detroit Techno, so we didn’t want to call it Nexus 21. That way it wouldn’t dilute what we were doing as the other group.

We were going to call ourselves Alien-8, because Chris was in a rock band called Alien-8. When the label sent the tune to be pressed, they didn’t do any DJ promos, anything like that, came back with all the sleeves. They phoned us up and said, “The records are here.” Drove down to Birmingham where the label was based, opened the box, pulled it out, it said ‘Altern-8’ on the top. The name came round by mistake, really.

Altern-8 at TR-99's Trauma
Altern-8 at TR-99’s Trauma. Photo by Peter Vincent.

It was just originally as a side-project, but the first EP had eight tracks on it, so a lot of DJs were buying it purely because there wre eight tracks you could play rather than one 12-inch that maybe had one mix that you could play, so it was really good value for money. When we did a follow-up, a lot of the DJs were already waiting for the follow-up, which was Infiltrate 202. It just went from there. We did that, and then we needed a follow-up, then we did Activ-8. Activ-8 got in the UK charts, so we started touring around the UK and around the world, and it took off a bit.

I remember you guys were on the cover of magazines, even here in the States and in Canada. What was the hysteria all about? Why were people so into you at the time?

Josh: Activ-8, I think, had sold enough copies that it would have gone to number one most weeks of the year, but it happened to be released the same week as the biggest British comedy act doing a thing, I think, and the new Michael Jackson single, so we got stuck at number three. Whereas a week earlier, a week later, it would have been a number one hit. There was a massive amount of hype around that time.

Mark: I think it was because we had the suits, which wasn’t planned. There was something really mysterious about the fact that people didn’t know who was making all the techno back then. There was very little known about it, so we took it to the ultimate by having the suits on. You couldn’t see who we were at all. There was a lot of hype and we did a lot of pranks, like giving away hot air. We were in a hot air balloon, and we were throwing Christmas puddings from it. There was the whole thing about the record label boss’s daughter, who was three at the time, saying, “Top one, nice one, get sorted” on the record, which was a phrase about people going out to raves.

Josh: Also, the rave scene was the last time that there was a huge social movement connected with a music scene in the UK. The government was really “anti-rave” and our look was “anti-establishment” as well, so people really connected with it.

How did you get into this? How did you find yourself in that wave of history?

Mark: There seemed to be a natural progression from early ’80s electro, soul, funk etc. People who were into that were, say, into like the early Chicago House stuff, including hip-hop. It kind of went hand-in-hand; banging to De La Soul and Public Enemy respectively. Then it went on to Acid House. After ’88, there was a lot of backlash about Acid House, but it kept progressing each year. ‘89 saw the arrival of Detroit Techno: the Belgians were making a lot of music and the Italians did this “Italo” House thing. There were so many influences at one time.

You were making music at that time?

Mark: Yeah. Yeah. I was making stuff in ’88, we were doing Acid House and stuff different names.

There was something where you guys were running for office?

Mark: That was just another way to get your name in the papers. If you have a single out, people will be promoting it, but when you don’t they won’t write about you. Every time, we had a prank, it was just a way to get your name out there so people remembered you between each single. The elections were going on, so Chris ran for the local elections in Stafford.

Josh:He didn’t come last, did he?

Mark: No. There’s a party called the Natural Law Party, and we actually beat them and they were being serious, and there we were.They were pissed.

Why is he not part of Altern-8 now?

Mark: In late ’93, I was recording under the name DJ Nex, Xen Mantra, I was doing House stuff with Danny Taurus under the name Slo Moshun. I was doing loads of different things, while Chris was getting more into computers. We had musical differences also. I wanted to go a certain direction – he was just interested in computers – so we stopped doing Altern-8 and revived Nexus 21. That didn’t happen so we stopped working together. I carried on DJ’ing ever since, recording under different names, but not recording any new material as Altern-8, Then in 2008, I played at a party Josh promotes in London called ‘I Love Acid’, and from there we started talking again. Now we’re doing the Altern-8 live shows again.

Are you going to come out with new Altern-8 music?

There’s a track in the [Trauma] live set which is brand new, right bang in the middle. We’re also working on an album.

Are you going to team up with any artists from back in the day?

Mark: Yeah, I’ve been working with some guys from Unique 3, Forgemasters, LFO, Rhythmatics, under the name The Originators.

There was something extra imbued into the Altern-8 sound that wasn’t just in all the other rave music. There seemed to be some bigger ideas behind it. Was that my imagination or was that actually going on?

Josh : A lot of that’s got to do with where some of the samples and the sounds are sourced from. There’s lots of really soulful House and Detroit Techno and bit and pieces like that that have gone in there. There’s something a little bit extra in them. I fucking love most of that old Hardcore, people like DJ DMS and stuff like Production House, but the source material of what they’re sampling was often other rave tunes, and it didn’t really reach back much further. The Altern-8 stuff just had a little more reach in where it was pulling tracks from. That’s my opinion, anyway.

Mark: At the time, I was just making tracks that I liked the sound of. The fact that people liked them was just … we just seemed to be doing something right and carried on doing it.

Are you just doing this one track?

Mark: Oh no, we’re going to be working on an album, get Full On … Mask Hysteria remixed and re-mastered. Get that out, and then work on new material for the new album.

Are you going to aim this material at the old schoolers, or are you going to aim it at kids?

Josh:  We’re just going to write tunes that we like.

Mark: There’s no point trying to follow trends or push it to a certain market. Just like we did back then, you just made tunes that you liked and you hoped worked on the dance floor.

Josh: Both of us are producing other stuff anyway, so if we end up writing something Housey or Techno or something, it will just end up going under one of the other aliases. You don’t even have to go into the studio and go, “Must be Breakbeat,” because if something else works, then you just do something else with it.

Is there anything that you wish you could do over from that time? Or wish that you could do now?

Mark: If I had known how well the gig we played out here in ’92 went down … It was only after we were getting letters from people in LA, saying how good … from where we were on the stage, I didn’t think we did that well. At the end of our gigs, we used to come to the front of the stage and greet fans, but because it didn’t look like we did well, we just scurried off stage. Apparently, we blew that many people’s heads. If we somehow knew, we could’ve enjoyed it a hell of a lot more, gone out and met people etc. That’s probably the only thing.

What’s been your best memory throughout your musical journey?

Mark: The first time we played Downingtown Park, UK. That was our first big gig, and it was in a massive warehouse.

Josh: I played at a festival called Bloc in 2009, and the crowds were singing along to all the tunes. This was coming on after Skream & Benga, they were doing a dubstep thing, which was the most hyped music at the time. I was thinking, “I’m playing a bunch of old-school records after they just absolutely smashed it. I’m going to go down like a lead balloon.” But it just went off. This year, we ended a stage on Sunday night at Glastonbury, amid like 30,000 people

So what can we look forward to tonight?

Josh: All the classics, but they’ll be mashed up and changed a bit. The lucky thing is that the technology now is better than it was.

Mark: You’d have to take on a full studio on stage back in the day, whereas now you don’t have to.

Josh: A couple of laptops. There’s only so much that we can bring up. 303s and stuff stay at home.

Mark: All the tunes that hopefully people will remember. Different versions and a few surprises, and obviously the new tune in the middle.

All right then, top one, nice one, get sorted on iTunes!

From there, Altern 8 then prepped their set and later rocked and wowwed the crowd at Trauma.

Additional editing was done by DJ Daybreaker.

All photos in this article were shot by Peter Vincent.

DYEWITNESS INTERVIEW

Interview by DJ Mindcontroller, Feature Photo: Reesses Pix Redlab Radio, Photo 2: Peter Vincent

Mindcontroller: First of all, I just want to start off by saying that you’re a big influence. My older brother got me into techno and house. Probably about ’89, ’90.

Dyewitness: All right. Cool.

Mindcontroller: I’ve got to say that when I first heard your music, it was mind blowing.

Dyewitness: Was it the Dyewitness stuff?

Mindcontroller: Dyewitness in the early 90’s. I don’t know if you’re aware of it, but in LA we had large support of the techno scene. They would actually play techno at one of the biggest stations still to date here, Power 106. They do more hip hop now and stuff like that, but back in the early 90’s, they actually played great music. I remember hearing your tracks on there.

Dyewitness: I really had no idea that the early hardcore stuff, or the heavy hardcore, or whatever you want to call it, was really that popular. This is actually the first time I’m doing a Dyewitness show ever in LA.

Mindcontroller: That was one of my questions. I actually recall seeing you on a flyer maybe early ’94 or ’95, but it was a fraud.

Dyewitness: It was fraud. I never had any requests or any bookings from LA.

Mindcontroller: In the States, you never played as Dyewitness in the States?

Dyewitness: I don’t think so.

Mindcontroller: Okay, wow. Interesting, how did you get into the rave scene, techno music?

Dyewitness: From when I was a child, I was always playing around with tape decks and turntables, and fiddling around with cassette players and all that stuff. Gradually I got into mixing, and then I got a simple drum machine. I learned how to program drums. I started making mixes, recording it on tape, making loops and different things. I listened to a lot of electro stuff, but also hip hop stuff.

Mindcontroller: What came first, DJ or producer?

Dyewitness: Producer. In that time, there was no computers or anything yet. Everything was done by hand, so you had to know how to beat match and all that stuff. Mixing was then at the same time as producing.

Mindcontroller: How was Dyewitness formed? Secondary, what is the meaning of Dyewitness?

Dyewitness: It’s actually, I think it still exists today. I saw a commercial on … Probably maybe within the States or where … I don’t remember. It’s a spray that, if you get attacked or raped or whatever, it’s a spray that you spray in somebody’s face. It gets a thick layer of foam, green foam, so your face … And it gets stuck there for weeks, or a long, long time. The stuff is called  “Dyewitness.” That’s how I also came up with the green monster.

Mindcontroller: I always thought that was maybe a fascination with extraterrestrials.

Dyewitness: No, no, no. It also had to do with Observing The Earth was the first thing. It was a good combination between the green alien and the green face from the Dyewitness.

Mindcontroller: To my understanding, it was a group prior, right? It was yourself and someone else, or is that misinformation?

Dyewitness: No. The Observing The Earth I did it completely by myself. Later, with The Future, I started working with Patrick and Cyclone and Trevor. Probably for that I did most of the work myself.

Dyewitness at Trauma 2015 pic 2
Dyewitness at Trauma 2015 pic 2

Mindcontroller: Was Dyewitness your first project?

Dyewitness: Yeah, it was.

Mindcontroller: How did that come about?

Dyewitness: Yeah, just messing around and just recorded something on a cassette tape. Actually, a friend of mine … I didn’t even bring it to the record store, but there was Midtown record store in Rotterdam. A friend of mine recorded what I was making and Midtown Records heard the tape. They were like, “Yeah, yeah. We want to release it.”

Mindcontroller: That was Observing the Earth?

Dyewitness: Yes.

Mindcontroller: Awesome. Let’s see. Let’s take it back even further. What was the first record you ever purchased?

Dyewitness: Probably I have a lot of old records but the one I can remember buying is Michael Jackson Thriller.

Mindcontroller: What was your first DJ gig or live PA? How was it?

Dyewitness: My first gig was in 1990, I think, with The Dead Kirks. It was one project on Midtown Records. One of the owners of Midtown, he had a project called The Dead Kirks. He needed somebody to go onstage with him for the keyboards and everything.

Mindcontroller: How was it? Were you nervous? Was it a big event?

Dyewitness: Completely don’t remember. It’s so long ago. It’s 25 years ago eventually. No, no. I always have been myself on stage, so I’m not pretending to do anything.

Mindcontroller: To me, the Dyewitness sound was so innovative, and to many, considered early hardcore. What inspired your Dyewitness projects?

Dyewitness: For me, it was never hardcore. There were some tracks that obviously were hardcore, but it was mostly a cooperation with somebody else making some hardcore, happy hardcore The Future is, I don’t know what but you wouldn’t call it, but it’s not even that hard, you know? It’s not like anything that came out of Rotterdam at that time because there was much harder. Inspiration was just records that I was listening to, all kinds of records that I was listening to when I grew up I sampled, or inspired me to make whatever I wanted to make. I never really cared for what others were making. I always did my own thing and if somebody wanted to call it hardcore, somebody wanted to call it house or whatever. Doesn’t matter.

Mindcontroller: Your current project DJ Misjah is night and day in comparison to Dyewitness. Would you ever consider revamping Dyewitness?

Dyewitness: Well, never say never, but I don’t see myself. Actually, I haven’t been producing anything since 2009. I’m way too busy with mastering and I don’t have that studio anymore anyway. I know everything is done in the computer now but it’s not how I like to work. No, I don’t think that’s going to happen.

Mindcontroller: Sadly, I’m sure. You’re going to break a lot of peoples’ heart.

Dyewitness: Well, you know, it’s a period in your life. First, I made the Dyewitness stuff. Then I was done with that, you know? I’m like, “Okay. Now this is a different phase in my life,” which became the DJ Misjah stuff. The techno after that, one day I was feeling like, okay, I’m done with this as well, you know? Then I started doing mastering, in 2 to 10 years or whatever I’m done with that I’m doing to do something else. As long as I do what I like, I don’t mind what it is.

Mindcontroller: Dyewitness or DJ Misjah, What’s your favorite DJ gig to date?

Dyewitness: For Dyewitness was Hanger 13 were always fantastic gigs in Scotland, but also had a lot of good gigs in Australia. As for Misjah, it was, I don’t know, Love Parade or Womp in Tokyo. So many. So many places.

Mindcontroller: I could imagine you guys are spoiled in Europe.

Dyewitness: Yeah, it’s all one big pile of memories and clubs and people.

Mindcontroller: Your current automobile you drive, make and model?

Dyewitness: Just a normal BMW. Nothing special, 320 diesel It’s a automatic. I’m lazy driver. I put it on cruise control and I steer and that’s about it.

Mindcontroller: Top 3 tracks of all time.

Dyewitness: Humanoid is in there for sure. Something from Joey Beltram, Thomas B Hackman was one of the tracks that was like, wow, what the hell.

Mindcontroller: What advice would you give to any up and coming producers?

Dyewitness: Make what you like. Don’t listen to what others are doing. Make your own shit. If nobody likes it, doesn’t matter as long as you like it.