Tag Archives: Las Vegas

Vigor Interview: Gabberfest 2016

Hard work, dedication, agility, persistence, potency, or in other words, VIGOR! He is a native of Los Angeles whose history in the early 90’s shines through in his productions; towering rawstyle combined with jumpstyle and US hard house influences present a new sound and experience that is making this artist’s rise through the hard dance scene a swift one!

Representing Los Angeles, CA, and his new home on Nutty Traxx UK, this is our very own, VIGOR!

Vigor will be bringing his own Rawstyle flavor to Gabberfest 2016!
Vigor will be bringing his own Rawstyle flavor to Gabberfest 2016!

How did you decide on your stage name?
I first started out by the name of DJ Intense. During the early 90s, I was a pioneer in the jumpstyle and US hard house scene. But it was in the late 2000’s, I discovered rawstyle and decided that’s the direction I wanted to take my music, so it was time to be reborn. My sound is vigorous and full of energy, that’s why I decided to change my name to Vigor, to combine my previous sound with today’s modern energy standard.

How did you start producing/DJ’ing?
I used to have a friend back in the days whose brother was a DJ, and from there I just ran with the passion. I wanted to start working right away to save money for my own setup! I started doing work for some audio rental companies, hooking up their systems for events and such. Eventually, it lead to my partnership investing in an event organization called Highlight Entertainment. That’s when I started playing on massive stages at big name venues such as Florentine Gardens. From there, I decided the next step was making my own music. I bought my first studio setup and was introduced to a producer name Mr. Goodbar who was on Up and Down Records. That landed me a release on the local record label Fuze Records based out of Montebello.

How did you get interested in the harder styles?

It started when I first heard the classic Zany sound in 2003. Ever since then, it has grown and mutated and has become more aggressive and I love the infection! I love that this music is challenging compared to other genres; it’s something that takes dedication and passion just to do the simplest things!

What changes have you noticed in your local rave/hard dance scene since you started?
I can honestly say the changes in my local rave scene seem to be about isolation. A lot of producers in America are very isolated; we need to work as a group so our scene can grow and if companies were to partner up (instead of working against each other, we could have bigger organizations/artists possibly visit our country. A lot has changed from the beginning routes in my opinion but the scene is growing every year so I’m hopeful, still!

What do you think about the current state of harder styles in America?
You have different levels and quality: some people have a certain format that they prefer over others and some of that creativity has been lost because of “industry” standards, being told what is good and what is not what; happened to the days when people would put on a track and it would be very different and fresh? I think it was like that during early times because there was no pressure. You can’t even put a track out without some type of criticism, where’s the love of the music? Production quality is a big factor but I think the music and the story is more important. So I think that people should go back to being able to make music for a more party feel then just a generic sound. It’s all about pushing boundaries and I think that’s the reason why some people that attend events have lost interest including some top artists who have switched over onto a different path, they didn’t feel that spark anymore this happens because cookie cutter tracks are not cutting it. Originality and unique styles are overlooked; everybody wants to sound like another person instead of just creating their own vision. Get back to the originality, try something new and different. Stand out!

Is there a message behind your music?
I’m just trying to make music for people to have a good time to. I’m just trying to be different and unique, not following the cookie-cutter ways the industry standard. If it makes my head bob while I’m in the studio, more than likely that will also occur at a live performance. From my past experience, I’m trying to combine some of those elements into my sound for today, trying to keep my roots true. The learning curve is my drive; it’s what keeps me interested and motivated because it is not easy to be a part of this musical revolution unless you have dedication and passion and that’s what I’m all about. Proving to all of those that hard work really does pay off.

What can we expect to hear from Vigor this year at Gabberfest?
I’m planning on a lot of fresh tracks from artists all over the world including collaboration tracks that will be released soon. My goal this year is to push boundaries and hope that everyone enjoys my vision of hardstyle.

Is there anything you want to say that we haven’t asked you about yet? Do you have any upcoming projects or tours to promote, or anything special or shout outs you want to say?


I’ve been waiting to announce this for a while now,

Nutty Traxx UK is the new home for Vigor!
Nutty Traxx UK is the new home for Vigor!

and I figured the Hard Data would be the best way of letting you all know that I just recently got signed to a new record label! I will be releasing music under Nutty Traxx Records  based out of the UK. I will also be participating in a label tour that will be hitting the states soon! It’s called the DECADE OF DARKNESS TOUR, celebrating ten years of Nutty Traxx Records! Featuring Vigor and other artists signed to the label. I’m also doing collabs with artists Dishonored, Nutty T, Next level, Adroit, JACKO, Hybrid Code, and previews of these tracks will be online soon!

 

Follow Vigor on social media!

http://facebook.com/VigorHardstyle
http://www.mixcloud.com/Vigormusic1/

Twitter: @VigorMusic1
Instagram: @VigorMusic1

The Counter-Terrorist Interview: Gabberfest 2016

The Counter-Terrorist. Representing Wisconsin at the third annual Gabberfest!
The Counter-Terrorist (nomadic) at Trauma. Next field operation: GABBERFEST! Photo by Peter Vincent.

Living along the plains of the mid-west, The Counter-Terrorist, surprisingly, hasn’t had the struggle of locating the harder genres of electronic music, nor breaking into his local scene with said genres like many westerners (of the US) had imagined when you hear that he’s coming from the state of Wisconsin. Seeing CT live already, I know what kind of a acidic treat we are getting having this name on the line up for GABBERFEST (June 18-19th, Las Vegas, Nevada) and now you all get to discover what is essentially the man “protecting the ears of ravers from the terrors of radio garbage”!

How did you decide on your stage name?

I was originally going by a different name but I wasn’t super big on it, so I did some thinking about my roots in the rave scene, love of comics, and then my history of playing Counter-Strike 1.6 back in the late 90’s and early 00’s with my old foreign exchange student came to mind. It’s a bit of a mouthful, certainly, but it’s my identity. Protecting the ears of ravers from the terrors of radio garbage.

How did you start producing/DJ’ing?

In 2010 I met my best friend who introduced me to controllerism and helped me learn the basics of mixing; I’d wanted to learn how to DJ since I was a kid but my family knew nothing about it and didn’t know anyone who could teach me (their concept of DJs is strictly the guy who plays at weddings or on the radio). Since 2010 I’ve used a couple programs and controllers and then moved onto CDJs due to preference.

How did you get interested in the harder styles?

My first experience with harder genres happened in the late 90’s when we had a foreign exchange student from Germany live with us. He brought over a bunch of music with him but the stuff I got hooked on was the acid trance/hard acid/hard trance. My dad liked it too so he downloaded a bunch of stuff like the Tunnel Trance Force mixes and then he came across some old US hard house that I just went NUTS over. After the turn of the century, while I was in high school, I got introduced to early hardstyle (the reverse bass and gated kicks stuff) then found old gabber/industrial hardcore music while browsing online and it continued to progress from there.

What changes have you noticed in your local rave/hard dance scene since you started?

Well as far as the scene I hail from, hardcore isn’t dead (HARDCORE WILL NEVER DIE!) but it’s not nearly as big as it once was. Which is a shame to me because we have lots of great hardcore DJs. We got Elekid, Idiom, Delta 9, Dan Efex, Softcore, and so many more. But hardcore isn’t as welcome or desired in today’s world as it was before. Which is why I moved to the west coast where the hardcore scene is thriving for the most part. Nustyle, euphoric hardstyle, rawstyle, and UK hardcore seem to be picking up momentum in Minnesota from what I’ve seen and heard.

What do you think about the current state of harder styles in America?

I think that the hard genres in general seem to be regaining popularity to varying degrees. Primarily hardstyle, but gabber, happy hardcore, and UK hardcore appear to be converting new fans as well. The other sub-genres of hard music are a bit under-represented so it’s difficult for certain sounds to get heard. As far as the more abrasive hardcore sounds, frenchcore and terrorcore look to be gaining momentum since it was demanded by fans at Trauma: Oldschool for the Headstrong till it was played. Uptempo hardcore seems to be trending in the US gabber scene as well. Overall, I’m cautiously optimistic about the future of hard music in the US because the genres are definitely not for everyone, however we seem to be making some progress as far as creating new fans. We just really need more support for our local artists.

Will you be attending both EDC & GABBERFEST this year?

Just GABBERFEST. EDC is too much thriller, not enough chiller (laughs)!

How do you feel about Insomniac’s support of the hard dance community? Even with the Basscon stage, do you feel that it’s enough?

Even with the Basscon stage, EDC does not do enough to represent the hard dance community. It’s primarily geared towards hardstyle despite a couple UK Hardcore DJs and one or two regular “mainstyle” hardcore DJs which, don’t get me wrong, is a step in the right direction but it doesn’t give a in-depth look at the diversity in the hard music scene as a whole.
What are you trying to convey through your music? Are there any themes or ideas that are important to you?

As far as themes when I spin hardcore, it’s generally mind-bending stuff. My gabber sets either conjure up nightmares and things of a dark and twisted nature or it’s some straight gangster shit. When I spin US/UK hard house, my sound is hard-hitting and ghetto. My acid sets are designed around nostalgia but super groovy (SO many “Blood Rave” remixes). You wind up with a pretty eccentric style when you’re raised in Drop Bass Network territory.

Do you have anything special planned for Gabberfest?

Well I’m under the impression that I’m gonna be doing a b2b set so it’s difficult to say what I’ll end up playing, honestly. But it will likely be either frenchcore, hardtek, and terrorcore in a b2b set or gabber, frenchcore, hardtek, and terrorcore if I’m playing solo. Start Hard, Finish Harder. Amirite?

What’s the next operation for the Counter-Terrorist? Any last words/rites?

Since moving out here to the west coast at the beginning of the last quarter of 2014, I’ve had a lot of opportunities to work with some incredible artists and crews both big name and local. There are too many people to thank individually, but I really appreciate all the help and love I’ve gotten from my West Coast and Midwest families. I love you all and I can’t wait to do even more incredible things with you guys. Gabberfest and Northkore are gonna be super rad, you won’t want to miss either if you’re a fan of hard music!

Be prepared for the Counter-Terrorist’s next operation by following him on his social media!

http://artistecard.com/thecounterterrorist/

MC Sik-Wit-It: The Interview

MC Sik-Wit-It is shaping up to become the future voice of American hardstyle. Having already done songs with international sensations Nightfall, Coone, The Pitcher, Mekanikal and Drone, being an MC isn’t just about the voice, it’s about the message that they can convey to us that we may not be able to convey ourselves. Sik-With-It was brought in to Vegas for the Apocalypto show and I had the honor of sitting down with him briefly before he had to rush on stage to work his magic during Frontliner’s set.

It’s great that we’re able to bring out so many hard artists in general for the American scene, but rarely do we get to actually focus on the MCs themselves. What brought you into MCing? What made you decide that this is your thing?

I used to work on hip hop a lot of my teenage years into my twenties. When I moved back out [to Los Angeles], I didn’t really know anybody to work on music with, so I dropped it for a little bit. My friends, Bass Breakers, they’re local to L.A. introduced me to hardstyle. I started doing it more and more and started to come up with vocals and stuff and they just put me on. After we parted our ways, I got in contact with The Pitcher. From there, it’s just been a gradual, if not a swift, build.

MC-Sik-Wit-It right before his performance at Apocalypto.
MC-Sik-Wit-It right before his performance at Apocalypto.

What makes an MC significant? What role are you playing in the hard dance scene?

At the risk of sounding corny, I like speaking to people. I’m a person with words. I feel that other people, whether sometimes when you’re drunk and you’re trying to tell your friend how much you love a song or how much you love an artist, you just can’t find the words. I feel like I try in my best way to find the words that people are trying to say, especially with the song I did with Coone. I wrote that when I first started listening to hardstyle because it gave me a feeling that no other music had. I was absolutely in love with hip hop. I heard hardstyle and once it got to my heart, it never left. It’s been a solid rock ever since. I really think that me doing what I can do, I can help others feel the same way or be able to express themselves in the same way.

How did you get your stage name?

I got it after my first time trying to glove! Afterwards the guy said, “That was sick with it.”, and it stuck. It was later that I adapted better spelling for it.

What is the best experience, what is the best show rather, that you have participated in so far?

The first two Apocalypto shows, and also Nocturnal because it was a huge crowd, and I had a huge amount of interaction. I love performing with Lady Faith. She’s such an amazing person, DJ, artist, everything. The first Apocalypto I performed with her [Lady Faith], The Pitcher, and Darksiderz. The second one was Adrenalize and Tuneboy. Me and Adrenalize did a sit down. It was my first sit down I’ve ever done as an MC. It went off without a hitch. It was so much fun. I’m actually glad to be performing here as well with Ravealation Black. It makes me feel so welcome. It is such a cool feeling to actually have a place where I know I can go back to and perform.

What do you feel is going on in the American scene right now that’s prevalent? Why are we significant in terms of the hard dance scene? What are the biggest things that you see in our scene right now that actually makes us recognizable, that makes us significant in the hard dance scene?

I think it’s the hunger and the drive, for the most part. Some artists, they do still have that European flavor, but they also bring a new flavor. There’s a lot of trap, there’s a lot of dubstep, house, hard house, what not. A lot of them incorporate that in it, whether it is the BPM or the sounds. We’re giving, in my opinion a brand new flavor to it all. It may not be acceptable to the world, but it’s our own for sure; we’re not trying to copy it, we’re trying to embrace it.

Being involved in the European scene and the American scene respectively, how do you feel that the American hard dance scene needs to progress themselves in order to become anywhere close to our counterparts? What are the differences that you see that needs to be taken care of for us to progress further in our scene?

Well, just like a good friend of mine, Leo Corson just said in an interview recently; he finally said something that I think literally everybody in America’s wanted to say, and it’s that we need to stop fighting and being little bitches about everything. I’ve wanted to say it for a long time and I’ve been known to be a shit talker myself. I try to hold back in certain situations so people don’t get easily offended, which everybody in the world is at this time. We all just need to actually be friends. You don’t even have to be friends. You just need to be cordial enough to understand that somebody enjoys something just as much as you do. It may not be the same type of something, but it’s still the same something. I’m guilty myself. I’ve talked plenty of shit throughout the past, even when I wasn’t making music. Being guilty of it, I finally see it as I get older. We need to stop complaining. To me, this is why other countries look at us like we’re spoiled little kids. Especially in California where I’m from, we get everything but we still cry and bitch about what we get. Supporting U.S. acts at this point is what’s more important. I do support foreign, but we need to support local acts just as much.

What’s next for MC Sik-Wit-It? Do you have any upcoming collaborations?

TNT did a little preview video with Zatox and the iPod, when he fell on his face (laughs), that’s the next track of mine coming out with them and Dave Revan.

Is there anything you want to say in your own words to the fans/readers?

Thank you so so much for all the love and support you all have given me. Hardstyle fans are such dedicated and energetic people and I can’t imagine anything that even comes close to performing for all of you. I’m where I’m at, not only because of the artists that have given me the chance, but also because of all of you. I’m forever grateful for every one of you. And be on the lookout for some huge collaborations and Sik-Wit-It merchandise in the not so distant future!

MC Sik-Wit-It and Lady Faith
MC Sik-Wit-It and Lady Faith

Acid Enema – Misanthropic Visions – Album Review

The Las Vegas based blackened speed metal duo is back at it after ten long years, this time in a stunning and massive 16 track digipack via Sawblade Records (limited cassette version as well)! This release features incredible sound design incorporating guitars and vocals along with drum machines and sequencers to blend hardcore techno elements with black/speed metal as well as featuring some noise pumping remixes from artists all across the world!

Acid Enema's Misanthropic Visions CD and Cassette releases!
Acid Enema’s Misanthropic Visions CD and Cassette releases (SOLD OUT). You can also buy the digital release on hardtunes.com

Most notable tracks on the release are the title track ‘Misanthropic Visions’, Hymn of the Godless (Novokain Remix) and Eviscerating God (Tragedies from Hell Remix). Each one of these tracks shows the listener in its clearest form the powerful blend of hardcore techno and black metal. Although this sound is not for everyone, the work done by members Abhorrent (vocals and programming) and Noth (guitars and bass) show the ingenuity and passion that these two have for music as a whole.

You can catch Acid Enema in Seattle, WA at the Highline Bar on June 9th, and at the American Gabberfest Jun 18th-19th at the Hard Hat Lounge in Las Vegas, NV!

Noth and Abhorrent, members of Las Vegas based speedcore/black metal act Acid Enema!
Abhorrent (vocals and programming) and Noth (guitars and bass) from the barren wastelands of Nevada!

Acid Enema on Facebook: https://www.facebook.com/aesangre/

Official Website: http://www.acidenema.com/

Frontliner SELLS OUT Apocalypto in Las Vegas!

As if we needed any more evidence that hard dance music is taking over in 2016; Frontliner was set to headline Apocalypto this last Saturday at Vinyl in the Hard Rock Hotel & Casino and the event SOLD OUT! “I couldn’t be happier to see hard dance thriving in Las Vegas!” says Matthew Levin, who gave all of his ambition in making sure of this outcome. What was most exciting was showing up about an hour before the show, absorbed by the empty room, witnessing the amount of prep that it takes up to the very last minute to make sure an event like this goes off without a hitch, then suddenly: show time! And watching that once empty room fill to the brim in a matter of minutes like a pilsner beer glass.

Kung Pow at Apocalypto, Hard Rock Cafe, Las Vegas, NV. Photo courtesy of Set the Tone Photography.
Kung Pow at Apocalypto, Hard Rock Cafe, Las Vegas, NV. Photos courtesy of Tone Martinez. Set the Tone Photography.

The night started off with local Vegas vets Joji (who spins a hard dance monthly at the Phoenix Bar to 100+[people]), Jack Spaidz – who is to psytrance what System Malfunction is to hardcore [in Vegas], and Kung Pow – my second favorite act of the night – a multi-genre DJ who can make anything sound incredible, together or separate. Arriving early is very important, because believe it or not, you’re missing out on a lot of pure talent, and since I’ve been witness to this it makes me feel that Vegas DJs are vastly overlooked.

Frontliner took the stage to a thunderous roar and conducted an interactive set filled with popular antics to interact with the crowd. It was a fun, uplifting set, and if you know this artist well, even his euphoric tracks have a certain roughness to them. As he moves from ‘Shivers’, to the Defqon.1 anthem ‘No Guts, No Glory’, Frontliner never dampens the energy he creates. But there is still one question that remains… who were those guys in the masks?

The debut of RVLTN Black at Apocalypto, Hard Rock Cafe, Las Vegas, NV. Photo courtesy of Set the Tone Photography.
The debut of RVLTN Black at Apocalypto, Hard Rock Cafe, Las Vegas, NV. Photos courtesy of Tone Martinez. Set the Tone Photography

This night, we also witnessed the debut of a new Las Vegas tag team: RVLTN Black! Two insane, rowdy rough boys who unleashed rawstyle/uptempo hardcore to the crowd in a quickfire blitzkrieg. They even dropped American terrorcore producer Tim Shopp’s track “Terror Squad”, at which point the taller member of the duo grabbed the mic from the MC and yelled “when this track drops, someone fucking bleeds!” Of course, it was inevitable that a mosh pit was to ensue, and with an ear to ear grin, I couldn’t help but take part. What a show!

A huge thank you goes out to Matthew Levin and the entire Ravealation crew for making this event possible and for making the trip from Utah well worth it. Las Vegas has a seriously dedicated crowd to the harder styles so make sure that they stay well fed and nurtured.

Family photo with Mc Sik Wit It. Photo courtesy of Set the Tone Photography.
Family photo with Mc Sik Wit It. Photos courtesy of Tone Martinez. Set the Tone Photography.