Tag Archives: Daybreaker

Fresh NYE 2015-2016 Report by Daybreaker

People from all over the country ring in the new year in a variety of  different ways.  From lighting off fireworks and banging pots and pans to shaking clackers and blowing horns; but this year, I was able to ring in the new year with Hardcore kick drums, uplifting Trance melodies and energetic Drum & Bass rhythms while being surrounded by my friends that reside all over the west coast. I don’t think there is any better way to celebrate than to do it harder, louder and more extreme than the rest of the nation!

Fresh NYE (from the Trance Stage) 2015-2016
Fresh NYE (from the Trance Stage) 2015-2016

Fresh NYE took place at the Seaport Marina Hotel and Events Center.  I found the venue to be a very positive and refreshing way to deal with masses.  Even if it may have been a little tacky and haphazard to some, it was so nice to be able to go from the event to your room in just a short distance- that way you can go as hard as possible while still being safe about it. There was a plethora of sounds to choose from: a Trance stage, a Drum & Bass stage, and a Hard Dance stage; although if you were there, you could easily tell what everyone was there for.  Suffice it to say that the Hard Dance stage was consistently packed.

Early on in the night I experienced Driftmoon, an Uplifting Trance artist who would’ve been more suited for the midnight hour; very melodic and emotional. What an opportunity to have seen him on New Year’s Eve of all days (a sentimental holiday for myself). We got the soft stuff out the way early and I immediately picked up the pace of the night by making sure I was front and center for Machete, one of the heavy hitters for the American Drum & Bass/Junglist scene. He played very funky, mostly jungle influenced DnB which was exactly what I’ve been waiting to hear.  We do not get men like him coming through Utah, EVER, despite our once prominent, seemingly lingering

Audiofreq
Audiofreq

DnB scene. There was very little time to breathe after Machete- we only had 15 minutes to run upstairs to the Hard Dance stage to bring in the New Year with Mr. Audiofreq! Although the majority of the Hardstyle artists, including Audiofreq, were more mainstream and climactic, I was extremely impressed by his set ( when he dropped ‘Release’ by Atmozfears was that tipping point). I’m sure the majority who have seen him perform are aware that he is one great big ball of energy that continuously keeps the momentum of the crowd going; even the people outside on the deck were dancing and screaming to nearly every track that was dropped by him. He was the perfect opener for one the most respected names in the Hardcore scene to date; his rise to fame has been faster than anyone I can recall during my time: DJ MAD DOG! It is literally impossible to describe the amount of ferocity and aggression that was felt during the length of MD’s set. He played all of his own tracks (which I personally preferred because the only other time I’ve seen him

DJ Mad Dog
Mad Dog closing the Hard Dance stage. Fresh NYE.

was at Dominator back in 2013 and he played many other Italian Hardcore artists’ tracks) and there were so little breaks in his mixing that there was hardly any time to catch your breath! There was a pretty disruptive mosh pit going on the for the majority of the time, which to a lot of people was upsetting because many of them would rather have been hakken-ing, but thankfully it didn’t lead to anything more violent. During the last half hour Mad Dog brought up a surprise guest: AniMe. She closed the night with tracks that she and Mad Dog did together pitched to a higher tempo. The entire night was topped off with a bow and a stage dive from Audiofreq. Wow!

At the end of the night, it was satisfying to be able to walk a few feet to my hotel room and recover from all the alcohol and adrenaline so I could immediately start heading back home in the morning (what I do for this music, eh?). Fresh Entertainment gets a huge plus for not just bringing out one of the most top notch producers in the Hardcore scene at the moment, but having three stages, dedicated to three sounds, stacked with the most powerful members of their respected scenes. I cannot wait to see what 2016 will bring us not just from Fresh, but from the American Hard Dance scene as a whole, and already, there is so much promise when ringing in the New Year with a “Fresh” start.

 

Daybreaker

Classic Track Review: Lem-X – More Drumming – D-Boy Black Label

Originally released in 2004, and only on vinyl, Italy’s DJ Lem-X released this on a VA record to outstanding reactions. To this day, this, in my experience/opinion, is one of the hardest tracks to find from the early 2000’s, let alone to also find the words to describe this track, except that it’s hard, distorted, and catchy as all hell. Look it up, track it down, get a hold of it in some way; you’ll be so happy that you did.

DJ Dione aka E-Noid aka SRB Interview

I’m sure this man needs no introduction, but since 1991 DJ Dione aka E-Noid, or maybe a lot more of you recognize him as the Terror act SRB, has been dominating dance floors everywhere in the world, and this year he finally got to destroy LA at TR-909’s Trauma party back in August. I can’t believe that I was given the honor of sitting down with this man and finding out more about my personal Hardcore hero. What follows is the official interview for you all to enjoy!

Austin: I want your reactions from Saturday. How did you feel about the party, as well as the American Hardcore scene (if you are familiar with it)?

Dione: It was an awesome party, I really liked it. Good sound, nice visuals and decorations plus of course a super dedicated crowd, I loved playing there.

Funny thing was that I was booked as Dione and it was an early hardcore/ old-school event but before and during my set a lot of people asked for SRB so I decided to play a few SRB tracks at the end and then all hell broke loose, in a good way that is

I have been in LA a couple of times but that was a long time ago, played at some smaller rooms so I really wasn’t expecting so many hardcore heads on this party. I know the hardcore scene in the USA is small compared to the scene over here in Europe so it was good to see that so many people showed up and I hope that this party gave the USA scene a boost. Got to thank TR-99 events also for putting up this party and for getting us to play there!!

Austin: What do you think of the direction that Hardcore has been moving toward in the last decade or so? Where do you think it will be going next? Where would you like to see it go?

Dione: That’s a hard question. Production-wise the music has grown a lot, sound quality (mixing and mastering) is at a really high level now. The downside of this is that it is harder for new talents to achieve the same levels.

Dione aka SRB aka E-Noid at Trauma 2015 2
Dione aka SRB aka E-Noid at Trauma 2015

Musically I notice that there are more and more sub genres in Hardcore. I don’t like that because for me it’s all hardcore. There are good tracks in every sub-genre and so I keep an open mind and pick out my favorites from every style. Hardcore is a feeling and not a concept.

It’s hard to predict where it will be going next, but I guess that the sub genres will mix more and more with each other. I think you start seeing it develop like that already; up-tempo with mainstream melodies, mainstream with crossbreed elements etc…

Austin: Which really came first, the Dione project, or SRB? Which one do you like playing more as? Which act has a better reaction from the crowd in your opinion (if you have noticed a difference at all)?

Dione: The Dione project came first; I started playing as Dione in 1991. Some 10 years later came E-Noid, my alias for Darkcore/industrial productions on the DNA label. And a couple of years after that I also started producing under the name SRB, an alias for the terror tracks I made for the ‘This Is Terror’ label. But those productions were so popular that I got many offers to play as SRB also. At first I only did it as a side project but nowadays it has grown more and more popular. I really love playing as SRB because I only play my own productions, which is very satisfying for a DJ; to see the crowd go wild on your own stuff.

But I like variation, so for me it’s a welcome change, to play under the different aliases and play all the different kinds of hardcore, whether it’s terror or industrial, old-school or mainstream. The reactions from the crowd don’t really only depend on the style I play, but also on what party or what country.

Austin:  Any advice for the American Hardcore scene?

Dione: Yeah, there’s something I like to say: I have heard that many party people don’t like the mosh pits at hardcore parties so they decide to stay away, but there’s a simple solution to this, which I saw at the Headstrong party in LA many years ago: keep a part of the dancefloor for the mosh pitters and the rest for the others. This way you won’t hurt each other.

Austin: What’s next for DJ Dione; For SRB?

Dione: I’m currently working on new Dione tracks which I hope to finish and release soon. And also some E-Noid and SRB tracks of course. I loved the holiday in the USA but now I’m back in my favorite place in the whole world: my studio!