All posts by DJ Deadly Buda

Oakland Fire: The Hard Data’s Statement

I got home from the party I DJ’ed Saturday morning about 4am. Before I went to bed I got a text from my high school bud, Kevin Joa, asking if I was in the fire in Oakland. I didn’t think much about it at the moment. Most California residents are used to out-of-state friends and family assuming we are close to whatever atrocity the state conjures up and is reported nationwide. Saturday, I got a few more texts, emails and voice mails about it. Finally I looked into it and found out why I was getting more calls than usual about this disaster. Basically, there was a really good chance that I would have been there. It was 100% the type of party that I would have played at.

Unfortunately, I did at least tangentially know or met “along the way” people who died in the fire. One of The Hard Data’s artists, M27’s, housemates died in the fire, and a virtual who’s-who of underground movers-and-shakers in the Bay area’s underground rave scene died Friday night in the blaze.
As a victim of a fire, the situation hit hard for me, bringing to mind the initial aftermath I experienced, when even the sight of a flame would pre-occupy my thoughts. That said, my loss was nothing compared to the victims of the Oakland fire.

Immediately, I want to make some sense of the loss. I want to glean at least a lesson from the tragedy. But here, not one comes readily to mind. Politicians and advocates of various stripe have used the situation to further their agendas, and now it’s an issue. As this party was part of the music scene The Hard Data covers, I guess we are required to say something about it. So, I’ll do my best, because really talking about it does help. I know that.

Most of us have been too crazy parties that looked like there were multiple fire-code violations going on. And, I bet most of us would say those were some of the best parties we were ever at. Some changed our lives in positive ways. It certainly sounds like this party-space went a little over the already blurry line in this regard. We also know that there were multiple creative and bright people that died that night in the blaze. The biggest thing that comes to my mind is, “Why do we have to party in dangerous places?”

Let me be clear, I am not advocating for tougher laws on anything. I’m not asking for stricter enforcement of anything. Only corrupt corporations and corrupt officials would benefit from those at this point. No, I have a more general gripe: Why do the creative people have little or no money? Why is money so important? When will the shroud of “illegality, drugs and booze” be tossed off of the simple act of people dancing at night… as they should be doing anyway?

Our society has let the greedy oversee, enforce, regulate and legislate basic human needs like dancing and socializing and rationalize it with a monetary value. So, guess what? All you have to do is pay someone to do something illegal, and it’s no problem. You can get away with anything. The money, the symbol of value, long ago became more important than the good or service it’s supposed to transact. Part of the reason the fire probably happened, is that there was never enough money to go around, but enough to get by the next week, and things just fell apart gradually. It really wasn’t anyone’s fault, exactly. It just shows how we’ve prioritized in our society. The one thing that solves problems, creativity, is channeled and ghettoized to the fringes, and is last on the list of anyone’s concerns.

For whatever it’s worth, as an editor for this magazine, that’s my take on the situation at the moment. My heart grieves for the victims friends and family. Their loss in unfathomable and beyond quantification. Please pray for them and remember those that passed in your heart, forever.

Neophyte: 5 Classic Tracks!

Jeroen Streunding, known for gabber and hardcore fans as Neophyte, is a Ducth DJ and producer. Having started in 1992, he is now one of the biggest names in the hardcore music industry.

In 1999, Jeroen takes the risk and founds his own label, Neophyte Records, even though it was an extremely hard period for gabber artists back then. Indeed, at that time, being a producer of gabber music was controversial, since the Dutch government considered that hardcore music fans used too much drugs and acted as hooligans. Neophyte answers to the government’s statement by releasing his famous track, produced along with The Stunned Guys, Army of Hardcore.

One of Neophyte’s singles, Always Hardcore, produced with two of his fellow artists under the scene alias Bodylotion, is considered as being part of the 10 most influential tracks in Dutch pop culture. This is a testimony of Neophyte’s legendary unique take on underground music.

Discover here his 5 most popular tracks, starting of course with Always Hardcore. May you always stay hardcore to the bone!

  1. Always Hardcore:

This track definitely sounds like a war cry to us. Powerful, dark and raw, it defines Neophyte’s style perfectly. Listen to it and you’ll understand why it’s now one of the most popular songs in the Dutch pop culture.

  1. Army of Hardcore:

This answer to the Dutch government is everything you can imagine a hardcore track to be: strong, dark and rebellious, it will make you head bang like crazy! So clap your hands and join the army of hardcore!

  1. Alles Kapot:

“Alles Kapot”, which literally means “Everything broken” is an ode to hardcore and gabber music everywhere. The raw sounds make it hard not to be taken by it, even if you’re not a fan of Neophyte.

  1. Coming Home:

This track is a little bit on the softer side, having smoother, more rhythmical sounds to it. It’s the perfect demonstration of how flexible Neophyte can be with his productions. So, for a few minutes, forget your daily problems, and dance!

  1. Hardcore Hooligans:

We’re ending this list with Hardcore Hooligans, a pure hardcore track. This is, without any doubt, a revolution anthem!

After 25 years of activity, some might think that Neophyte is getting old or has-been. They couldn’t be more wrong! These last few years, he has been collaborating with many artists on the scene, which makes his sounds always fresh and diversified. He’s an artist who’s definitely not afraid of change, and we, here, love him exactly for that!

Discover more about Neophyte by visiting his Facebook page:

https://www.facebook.com/djneophyte/

 

Minnesota Hard Dance says This is Halloween

Last night, Minnesota Hard Dance lit up the Twin Cities with ripping, cutting edge electronic music stuffed into an old school format. Ostensibly, the excuse was Halloween, though  half these partyers looked liked they dressed in costume almost every weekend anyway. A wide assortment of rave flavors could be sampled last night, hardcore (by yours truly), drum and bass, Psytrance, sub-ground, techno, happy hardcore, hardstyle… I’m missing a few here, but trust me, between the two rooms you had ear candy waiting for you at anytime.

Though taking place on a Saturday, “This is Halloween” was the name of the party, just to help attendees plan their circadian rhythms accordingly. This was important because magnetic musical artists would be making marks on memories until 5:00 am. As I had a flight the next day, all logical sense of responsibility told me that I should leave shortly after I played. I made the critical, we can’t really call it an “error” because I was the better for it, but I stepped into the middle of DJ Darkmatter’s (not to be confused with L.A.’s Darkmatter Soundsystem) psy-trance set and it was off-the-hook! I cancelled my ride to the hotel and proceeded to bug out to the early morning, sleep-be-damned!

It occurred to me that for the underground to thrive, a wide mixtures of styles is not only more interesting, but necessary. It was a well-attended event, but with all the parties going on the Halloween weekend, its in everyone’s interest in the rave scene to merge the styles because in the current commercial climate only the really big more commercial parties can specialize on a consistent basis. The great thing about this party is that the crowd seemed to appreciate all the styles, too. There was rarely any drop off at either of the sound stages.

So if you were at “This is Halloween” last night, I congratulate you! I bet there was no place in the Twin Cities last night that was as supportive of good music, on shredding sound systems, and with an embrace of the creativity we need to thrive. Big ups to Minnesota Hard Dance for another great party!

Photo by Rad Timmah