Tag Archives: Tim Shopp

Even Furthur 2017: A Techno Pagan Ritual for the Ages

Last summer, Drop Bass Network pulled Even Furthur out of the foggy memory banks of the collective conscious of the Midwest, providing a fresh opportunity for newcomers and old-timers to gather together and let their freak flags fly. It was a mad weekend of fresh discoveries and random reunions, all underscored by the inimitable sound of underground techno pounding the earth hard enough to ripple the waters of Lake Superior.

This year found us back in the same region. That’s right. Much like last year’s festival, this one took place up in the Mellen Mountain Meadows of Northern Wisconsin. It was quite a trek to get there from most of the major centers in the Midwest, but one of the new developments at this year’s installment was a limited number of early entry passes that allowed people to arrive on Thursday afternoon. Early birds were not only able to get on the bus a day earlier, but it also meant that they could set up their camps well ahead of the pack that would cram themselves into the space over the weekend. It was a nice gesture that gave weary travelers a chance to unwind before the party really got going on Friday.

I hitched a ride with select members of The Northern Hardcorps. We rolled down from Canada, and arrived well after sunset on Thursday. As we approached ground zero, we tuned in and turned on to the Free Radio Furthur FM broadcast, and successfully resisted the impulse to race to the main gate.

Photo by Tonya.

After clearing the checkpoint, we parked and struggled to orient ourselves in the darkness. After a bit of exploration we connected with our crew and pitched our tents within the heavily fortified confines of Camp Blood. And by fortified, I mean our own fence and a front gate fitted with flamethrowers. A good party isn’t just about whiskey and kisses—at Camp Blood security is serious business. We even had a series of safety meetings over the course of the weekend.

Photo by Tonya.

There had been a storm earlier in the evening, so the ground was muddy and soft. The only firmness around was the distant thunder of Gabber Jihad on the main stage, which drifted through the woods and helped us settle in for the night. After a dozen hours on the road, the warm fuzz of distorted kick drums saturated the night with the constant reminder that we have arrived.

The activity slowly ramped up on Friday morning. Camp Blood sat at the top of the ridge overlooking the rig run by Speaker Kreatures /M.E.L.T. /Mobcore. The stage sat in the center of an immense pit, and had been named Land of Sunshine. That stage and a few of the other DIY sound systems had been set up the day before, but the rest of them started coming alive as the day began. Soon the sounds of the countryside were quickly replaced by a wide range of electronic music. As usual, crews had been invited from across the Midwest. They had all programmed their own lineups, and lugged their gear up north to keep people entertained during the daylight hours. There were eight DIY stages strewn across the festival grounds, with each one catering to a slightly different audience.

One of the highlights of the Friday DIYss (Do-It-Yourself sound systems) was an unscheduled hardcore set by Bombardier that closed out the afternoon at the Children of the Corn stage. If you recall, at last year’s event Bombardier had demonstrated his ability to drop a mindblowing set at a moment’s notice by stepping up and filling a headlining slot on the main stage. This year a last minute opening on the Iowa crew’s DIYss presented him with another opportunity to do the same, and he produced a raw and brutal assault on the senses that ripped through many of his hardest offerings. It was one of those surprising Furthur moments that requires being in the right place at the right time, and it left an exhausted crowd begging for more.

Bombardier’s raw and brutal assault on the senses. Photo by Tonya.

Of course, with DJ Dan behind the decks at Déjà Vu, and Decontrol tearing up the Land of Sunshine it seems like just about every stage must have felt like the right place to be. The DIY sound systems all did impressive jobs bringing in headlining talent, but when they shut down at 6 p.m., it was time to freshen up and make the trek down to the main stage.

It’s hard to believe that a gang of miscreants from Wisconsin has now been droppin’ bass across the whole planet for 25 years. It’s even more difficult to figure out how they have managed to constantly reinvent themselves without ever straying from the type of event that they’ve become internationally known for curating. This year’s main-stage lineup contained an exceptionally well-programmed mix of more recent discoveries alongside established legacy acts. Friday night featured an old school vinyl set by TJR sandwiched between captivating performances by Jlin and Black Asteroid. The showstopper, however, came early in the evening via a live PA by Prototype 909.

The trio of Dietrich Schoenemann, Jason Szosteck, and Taylor Deupree laid down a phenomenal set that reached deep into the core of my being and reminded me what electronic music is capable of doing. Sometimes we lose sight of what connects us to this scene, and P909’s masterful offering was exactly what I needed to hear. It simultaneously erased my regret at not having been present for their legendary ’95 appearance, and made me more aware than ever of what I had missed.

It was a relentless and flawless display put on by three skilled performers well versed in the capabilities of their gear and the intricacies of getting the most out of their equipment. Toward the end of the set a problem with the generator interrupted things momentarily. It disturbed the flow, but it also afforded those in the audience a chance to catch their breath.

As the sun came up on Saturday morning it was time for Hardcore Breakfast with Tim Shopp, with a special guest appearance by the original Drop Bass Terror Unit DJ—Mr. Bill. The tireless DBN Support Squad tapped a keg of PBR and made pancakes for the hungry masses. Eventually the plates ran out, and famished partiers resorted to making Canadian Tacos by drenching the food in maple syrup before folding them in half so they could be more easily devoured.

Hardcore Breakfast montage. Photos by Tonya.

At Furthur, there is no rest for the wicked. The night may have been over, but the day was just beginning. Unlike last year, which featured designated quiet times that provided some opportunity to rest, there was no downtime this year. Hot on the heels of Hardcore Breakfast came Mobcore Chicago’s Breakcore Brunch at the Land of Sunshine. Tooth_Eye, Common Dominator, and Sir.Vixx served up Milwaukee’s Best and threw down a few hours’ worth of broken beat brutality to round out the morning.

The nearby Psychosis stage delivered an entirely different sort of breakbeat mayhem, and had a stacked lineup of their own on Saturday afternoon. Hidden away in the woods, their camo tent featured sets by RP Smack, Easyrider, and the Ghetto Safari veteran—3D.

Elsewhere, there was chaos in the air at the Free Beer stage, which boasted Michael Wenz and the inimitable Dan Efex. Niki Kitz, Diva D, Idiom and Mr. Bill made damn sure that things never got quiet in the Land of Sunshine, but most people appeared to be drawn to the Children of the Corn stage where Mark EG held court for an extremely energetic 90 minutes. Bombardier then made an encore performance to wind down the day with a gritty techno set.

Mark EG holding court. Photo by Tonya.

One of the most anticipated main stage performances of the weekend for me was Ancient Methods. The “In the Mouth of the Wolf” collaboration with Cinder (aka Bambule from the Praxis label) is one of my favorite techno records of last year, and this was the one set I was determined not to miss. Ancient Methods administered the required dose of dirty and menacing techno that managed to fill the main tent with a foreboding darkness, despite the fact that the sun was still blazing away in the evening sky.

When it was over, the sun had set and the stage was ready for the oozing, penis-faced depravity of Anklepants. The theatrical and performative nature of his stage show laid waste to the idea of the electronic artist as a laptop jockey as he engaged with the audience in ways that delighted the crowd and made it one of the most talked about sets of the weekend.

The flyers for Even Furthur contained a reminder to be prepared, and it seems that there’s always something unexpected that goes down. This year was no different. A last minute cancellation resulted in an open slot on the main stage, and this time around the void was filled with the impressive stamina of two veteran DJs.

The lineup promoted in advance of the show promised a three-hour set by Josh Wink and an epic five-hour journey hosted by Tommie Sunshine. Instead, this pair stepped up and stretched things out to cover nearly 12 hours! Wink’s set spanned an encyclopedic range of styles over nearly five hours, before Tommie rose to the occasion and kept things going until well after sunrise on Sunday morning. It was exactly the kind of magic that DBN’s faithful followers have come to expect.

Once again, the DIY sound systems began to fire up as the main stage was shutting down. Dan Bell kicked off a stunning Sunday lineup on the Communion stage that also featured Centrific and a jaw-dropping set from Dustin Zahn. Meanwhile, the noisy degenerates were still at it over at the Land of Sunshine. Bits of my afternoon have been blurred by sleep deprivation and the mini-keg of Newcastle that we tapped at Camp Blood, but it certainly seemed like a good time was had by all. The Hermit reared his head and dropped a solid set of hard techno, which offered some respite from the unrelenting hardcore that dominated the crater.

It served as a nice starting point for my own set, which kicked off with vintage tracks from Underground Resistance, Circuit Breaker and AFX—before picking up the pace and racing toward the more extreme forms of speedcore. Dica took over from there and dropped an entertaining set accompanied by MC Spade One.

The Demix closed out the day at the Land of Sunshine, but there wouldn’t be peace in the valley for long; Furthur had other plans for the evening. Adam X and Perc had been slated for a three-hour AX&P performance that was supposed to run out the clock on the main stage, but a delayed flight pushed Perc’s arrival time to well after the main system was scheduled to shut down.

Adam X wound up dropping a mind-bending three-hour set that had the crowd dancing their way through a comprehensive lesson spanning the history of underground techno. At the end of his set he thanked the crowd and announced that the party was going to relocate and continue.

Earlier in the day a contingency plan had been put into place that would allow Perc to perform. Communion moved their sound system and set it up in the Land of Sunshine; Joe from Light Fantastik brought over his lasers; bonfires were lit around the edge of the pit to help people navigate the uneven terrain… and then, Perc took center stage for the kind of magic that surpassed the expectations of even DBN’s most faithful followers.

It was an uncompromising block of hard techno that elevated the energy levels of a group of tired ravers that had been partying for days. People dug deep and found their hidden reserves. No one wanted it to end, and Perc satisfied the crowd with an extended set that stretched well into the wee hours of morning.

By the end of it we were all exhausted. Everyone crashed out late, and woke up early to find that the tireless Tommie Sunshine’s set at Domeland was the perfect soundtrack for loading up the cars and waiting for the eclipse to blot out the August sky.

The tireless Tommie Sunshine. Photo courtesy of The Headspace Collective.

It truly was a techno pagan ritual for the ages.

And if you weren’t there, then you fucked up.

The HARD DATA issue 12! Celebrates 2 years Rocking Ink!

The HARD DATA wants to thank all of our readers, subscribers, contributors, collaborators and conspirators for making it 2 years in print! This issue features Rob GEE, Tim Shopp, and Chris “Devo” laying down knowledge regarding how to throw a rave. Plus! Deadly Buda Rave Comix and Gabberfest Set Time Guide! Available in the Los Angeles Area June 15, at American Gabberfest June 17 + 18, and reaching the rest of the nation the following week. If you want a subscription mailed to your door, its only $6. Support the core! Subscription links below.

THD issue 12 celebrating 2 years in print!
THD issue 12 celebrating 2 years in print!

If you live in the USA, for the low, low cost of $6 you get a physical copy of The HARD DATA mailed to you for a year (at least 6 issues). Overseas, the cost is $12 (because of the increased shipping cost). This will also sign you up for our email list. At the end of the year, your subscription will renew at the same price. You can cancel at any time, of course… not that you’d want to, just sayin’!

USA $6
Worldwide (non-USA) $12

Basscon: Wasteland – Event Review

April 28-29 marked the return of Basscon: Wasteland to Southern California. Hard dance enthusiasts had traveled from far and wide for this show; I personally knew people coming from as far as New York, New Jersey and Arizona.
Tales of the ancient ruins being uncovered to reveal a hard dance paradise had spread and all were out to claim their part of this treasure. My caravan and I began our journey through the deserts of San Bernardino in search of any signs of civilized life, and in our search we encountered a surge of ravers who were ready to party. I began my weekend sitting down with the esteemed hard dance aficionado, The Qollector. The Qollector is an archaeologist of hard dance artifacts dating as far back as the 20th century and it truly was remarkable seeing some of these curios and artifacts up close! He had booklets, flyers, CDs and more from In Qoltrol, HardBass, Qlimax, Defqon 1, and Decibel just to name a few. Check out our interview here

The next stop along our route to the Wasteland took a bizarre twist as we met with America’s Only Hardcore Terror DJ Team: Extreme Team. These poor lads must have spent too much time in the hot sun which had apparently impaired their cognitive function. They appeared incoherent and I knew it was my duty as a fellow raver to take them back to my hotel room and provide them nourishment by way of more vodka. We talked about some of their inspirations as artist, about some of their upcoming releases, and about their show at the Hardroadz after party: Arcadia The Promise Land. We have documented the encounter with Extreme Team on Facebook live that can be viewed here. As you may be able to tell, they were beyond our help and we had to release them back into the desert to fend for themselves.

We took a moment to fuel our bodies with refreshments and food before the show and then it was time to go. Our chief navigator from Uber had received coordinates of where Wasteland could be found and he arrived at our basecamp to take us there! Upon our arrival inside the festival it was clear that we were not alone, thousands of hard dance fans had descended upon Wasteland and were ready to party! The landscape consisted of one outdoor oasis with a two stages and refreshments, and large ancient temple of massive pyramids, golden sphinxes, hundreds of lasers, confetti, CO2 cannons and even glistening disco balls… it was spectacular to behold this treasure with my own eyes! The gods themselves took to the main stage and descended down upon the ravers with a relentless pounding of hardstyle and hardcore beats!

Night 1 moments that stood out to me were seeing the crowd’s reaction to Audiofreq playing Sandstorm (Sub Sonik Remix), LNY TNZ playing Paul Elstak’s hardcore remix
of Ravelord and, of course, the return of Wildstylez to California after nearly 3 years! Wildstylez’s set consisted of tracks such as Project 1 – Luminosity, which was played at Qlimax for the first time with none other than the infamous Headhunterz. He also returned to the classic tracks he is known for including What It’s LikeNumbers, and Year of Summer.

I decided to get some refreshments and walked past the outdoor stage where I watched Zany end his set with Lose My Mind. Following Zany, DJ Stephanie took to the stage. While talking to some friends, I was listening to Stephanie in the background and she immediately caught my attention in an unexpected way. She started playing one of my favorite hardcore tracks, Let’s Get It On by Art of Fighters and Endymion. I knew I needed to make it to the front of the crowd during this track as she continued to play hardcore until the end of her set! Stephanie earned the title of most unexpected stand out set of the night. I finished Basscon Night 1 with Angerfist at the mainstage. A few of the tracks he dropped were Why So Serious by Tha Playah, Fist in your Face, Just Like Me, and Raise and Revolt.

After exploring Basscon Wasteland, we made our way to the Hardroadz: Arcadia The Promise Land after party to see the Extreme Team perform. Their set began with exclusive solo set by Tim Shopp and was immediately followed by typical Extreme Team madness! The small but passionate crowd was loving the terror. By the end of their set it was time to venture back to basecamp to let our bodies recover before Day 2.

Day 2 began with a buffet of food to fuel our injured bodies, followed by a trip to the hotel’s jacuzzi to massage our sore muscles. We then prepared our caravan to go to the show once more. Unfortunately, 2 of our fellow party goers succumbed to Wasteland’s wrath and were left behind to pray to the porcelain gods in the hotel room. RIP

We walked into the
Wasteland to find Toneshifterz finishing up his set, followed by Ran-D who awakened the ancient gods with his wicked rawstyle! His set expertly blended his own tracks, as well as Gunz for Hire tracks including No Guts No Glory, FCK EDM, Firestarter, Plata o Plomo, Zombie, Executioner Style, and No Mercy. He brought so much energy to his set and the crowd loved it!

Following Ran-D was the highly anticipated and long awaited return of Italian master Zatox, who was joined on stage with his friend and MC Dave Revan! Zatox’s set included his top hits including Back To The Oldschool, Back In The Days, Rumble In The Jungle, Warning, Fight The Resistance, Eat Sleep Rave Repeat, God Complex, Kalavela Shot Me Down, and Zombivilization.

At the outdoor stage, I caught the end of Ruthless dropping a awesome freestyle set. His track selection ranged from tek to euphoric, to raw hardstyle and even some hardcore. Some of the tracks he played included Wolfpack, Reawakening, The Project and Lost In Paradise. At one point, he even had the entire crowd chanting Gaan met die Bannan (with a little help from myself and the Extreme Team to get it going 😜). At the main stage, DJ Isaac was keeping the good vibes going. Isaac played the crowd with Last Night Ever, Till The Sky Falls Down, but then unexpectedly Ruthless jumped onto Isaac’s set and played Gaan Met Die Bannan again!

The final hardstyle act for Night 2 at the main stage was the legendary Noisecontrollers who didn’t fail to impress! He dropped Get Loose, World Of Madness, Rocked Up, Defqon 1 2016 anthem Dragonblood, Down Down, Solar, and Source Code Of Creation. To close his set, he played D-Block & S-Te-FanFuck the Noisecontrollers to prep the crowd for some hardcore. With the crowd now warmed up to some higher bpms, the final set of the weekend ended in mayhem with hardcore goddess Miss K8 who went harder than Basscon has ever seen before. Highlights from her set include Raiders of Rampage, Metropolis of Massacre and Radium Rockin Fire.

This expedition into the dessert to experience Basscon: Wasteland was unforgettable. It was remarkable to see how large of a crowd showed up for a weekend of hard dance, how many people traveled from out of state to participate, and how much energy and enthusiasm all the ravers brought to the show! I sincerely hope Basscon will continue to pursue bigger and bigger shows and I look forward to them with great anticipation. Up next for Basscon, catch them at the Basscon Pool Party EDC weekend at the Stratosphere, at the Basscon Wasteland stage at EDC Las Vegas, and at the highly anticipated second edition of Project Z!

Trauma One Year Anniversary: All My Expectations Were Broken

It didn’t feel like it we attended Trauma Oldschool for the Headstrong just this time in August 2015. However just this past Saturday marked the one year anniversary for Trauma’s return (formally TR-99) and saying we celebrated accordingly would be an understatement. I started my night off early already knowing what to expect, well at least I thought I did….

The night began with a unique set from LA’s own Deadly Buda,whom played a hard electronic set for his first hour. This would be my first time hearing it live, but when guy’s like Lenny Dee are pushing this style, I guess I couldn’t ignore it. The best way I could explain it would be “Subground style with an industrial soul”. It wasn’t easy to get into at first, but the industrial heaviness paired with the clashing effects of modern electro is definitely up and coming. The doors opened and kids dressed in their handmade fur and kandi attire, to throw back T-shirts started to fill all the rooms at Union gradually. It seemed like the music only got louder as more people filled the floors. Deadly Buda had the chance to fill the second slot after him, in which he transitioned into a classic/mainstream hardcore set which set the pace for the whole night. (Well at least till Tim Shopp hit the decks but we’ll get to that later)

By the time he was done I had already been freely moving between the venue, sometimes getting lost, but it wasn’t hard to pick out who was playing in the different rooms. I found myself gravitating towards definitely the main stage and the smaller downstairs for separate reasons. The main stage was pumping out the best production and sound with the largest crowd, but there was something special to be attributed to the smaller room. I caught a good portion of Demigod early in the night. I was surprised when I was outside and I saw someone bust out “United States of Hardcore” cassette tape for him to sign. After that I knew it was going to be sweet classic satisfaction every time I curved that corner to hear the sound that caught me in the first place. It wasn’t long till almost all rooms were packed, bars were busy and there wasn’t a time when people weren’t busting out a fat hakkuh. (Including myself)

Tim Shop, Deadly Buda, Levenkhan
Tim Shop, Deadly Buda, Levenkhan at Trauma 1 Year Anniversary

Although I live for hardcore, I would occasionally have to side step to the sounds of Drum n Bass & Jungle as I moved between downstairs and main stage. I can’t recall a time where I would walk by and not have the urge to stop. Not being an expert on the subject matter, it didn’t take a jungulist to look to the small side stage to see the same dedicated fans dancing their hearts out.

I returned upstairs to prepare for the last half of The Pitcher but over the years my ear for Hardstyle has been getting worse. That didn’t stop myself from jumping to the absolute Rawstyle and Old-school he was throwing down. I’m even sure the crowd never missed a beat as he slipped in a couple Hard House hits from the origin days. I’ll have to admit I was itching for some faster pace at that point but I may have tried my luck a shuffling again, poorly.

I migrated downstairs for a while because I kept hearing rumors that Ron D Core and DJ Dan we’re still playing a tag vinyl set together. I did some quick thinking and realized that they were already almost playing for 2 hours, some say 3 but regardless I showed up that weekend to hear some classic Hardcore and I left only wanting to hear more. I simply couldn’t get over the attachment everyone had in that room to the music. Even to some of these native west coast hard heads, this music is blood to them. The sweat and tears was only reinforced my thoughts. I hope to experience that again soon.

Between the familiar faces from people traveling all around for different acts, and the nice weather, it was hard to prevent myself from going outside. Not once did I hear a shred complaints (Except the unplanned absence of Kevin Kaos, sorry Lisa). I wasn’t really sure why I didn’t buy a taco once while I was out there but, who knows? I got into a couple conversations and I was surprised that to some this was their first Hard Dance event. I assumed the line-up and anniversary title would bring out a specific older crowd. I guess the theme of the night was how much I could be proved wrong. Anyhow, the newcomers were stoked to say the least and in their reaction I only knew that wouldn’t be the first time I’d see them

Oh man, I haven’t even got to good part yet. I returned to my rightful place at upstairs main stage, some would call it entitlement but if you’re not causing damage, well you might be in the wrong place. Decipher took the decks and I could’ve swore the floor almost went down under. The tall shadowy Ozzy  stepped up for his first time in LA and makes you wonder why only the first time? The ground was shaking, fists were pumping, and you would be wrong if you thought there wouldn’t be a pit for the angriest. It was a mix mash of some of the best hardcore mixing I’ve heard in awhile and I hope that people will notice what kind of unique talent he brings to the decks.

Jerome Hill looking out for Flapjack!
Jerome Hill looking out for Flapjack!

As Decipher ended his set you could already tell by looking around the room who was next to take the stage. The room went black, the strobe hit and before you knew it you we’re in Noize Suppressor’s world. The look on people’s face went from cheery to hard frowns and ugly grins. The madness had arrived. Being a fuge fan of Noize Suppressor for a long time I was more than excited to hear my favorite tracks and from the way the crowd was screaming the lyrics without a care for having a voice the next morning, I wasn’t the only one. For a good while there the solo strobe combined with a violent mosh made for a experience I thought only existed at concerts but the music had people feeling a certain way, and not in the typical loving way at most events. The highlight was easily the successful crowd surf which apparently is a once in while opportunity. He smashed out the ending with well preparation for was about to be in store…

Everything went silent, the room filled, and all you could hear people screaming for and calling one name, america’s own Tim Shopp. An abnormal BPM took over if you aren’t too familiar with the name but that was a good night to learn, and easily one of the best sets from the man in my opinion. Although we didn’t see him in his usual bomb vest, that had nothing to do with how he had the crowd to their knees. Well at least most of them, it almost as he felt he was challenging the crowd. How fast and hard could he go? Turns out this is the future and no one was missing a beat. Being the number one talked about hard dance upcoming producer in the US since his release of “Terror Squad” hitting top charts on Hardtunes it wasn’t difficult to see why. The ante kept climbing with the murderous kicks and faster tempo, the weak one’s feet began to slow down but not a soul went anywhere till the sound shut off. The party continued downstairs but by that time I had barely enough in me to go on but also wanted more at the same time.

The next morning the posts keep flooding my newsfeed and from everything I saw and heard the following night it was the first I actually got what I expected during that weekend. Ever since my interaction with Trauma Live and their staff it’s been nothing but good intentions and even sicker parties that aren’t just catered to the usual hard head, and for that reason I will always respect what’s to come next from the Trauma crew. The inside jokes and mixed memories will live on in the legacy of Trauma events. The mayor of Hardcore has my vote.

-Jarred M

The Raging Hard Roundtable

By Sean Hargrove & Tim Shopp

We’re here with the entire Warsong Presents: Raging Hard lineup, and we’re going to dig a little more into these guys minds to see what they’re really about!

HD: Zaki! Great to have you here man!  We’re wondering how did you get your DJ/Performance name, what does it mean?

Zaki: Well, funny question. The name actually means “Pure” in Arabic, but I found that out after I decided to use this name. Zaki was my nickname, so I just decided to use it as my artist name. It has kind of just stuck to me.

Zaki hails from Virginia Beach and will be playing the Hardstyle stage.
Zaki hails from Virginia Beach and will be playing the Hardstyle stage.

HD: Next up, mister Treachery!  How long have you been mixing/producing and how did you get started?

Treachery: I’ve been mixing Hardcore since 2007, though only seriously producing since 2011. Per my bio, I got started because I needed a music style loud and annoying enough to mask the screams of the victims tied up in my basement…

Treachery is signed to Industrial Strength and will be playing the Hardcore stage.
Treachery is signed to Industrial Strength and will be playing the Hardcore stage.

HD: Mekanikal in the house! Have you noticed changes in the scene since you started in your area or nationwide?

Mekanikal: Well certainly! The scene has grown a lot over the years since the beginning of my journey as a DJ. I actually didn’t come into the “local” scene until 2015, my first hardstyle show was DefQon.1 2013 in the Netherlands (I did the reverse of what DJs normally do haha). That being said, from what I’ve experienced, seeing local companies like Audio Havok, East Coast Hard Dance (ECHD), Fresh Entertainment, SDK, Denver Hard Dance, and countless more springing up across the country and getting into the hard dance market is really encouraging for the scene as a whole.

Two years ago, the United States wasn’t really seen as a strong player in the hard dance scene, but now we have become a force to be reckoned with!

There is a lot of positive things happening here in the states, and there are many negative things happening too. Like fans who shout out “defend the raw bruh!!” and others doing the same with euphoric hardstyle… Guys, grow up!

It’s all hardstyle and if someone doesn’t like the style you do, that’s okay! No one has to like what you do. Also, this is something I’m glad Warsong is doing…

The Hardstyle fans need to invest their support in the US hardstyle DJs. One of the reasons we don’t have a Defqon or a Qlimax in the states is mainly because you’re not investing enough in your local talent that’s getting signed to the same labels! Stop whining that “so-and-so shouldn’t be on this festival’s lineup because it’s taking the place of foreign DJs.”

We should be celebrating the USA DJs that get that opportunity, not saying they should be relegated to “local shows” to make room for the international DJs. We work just as hard and put together sets that don’t just highlight the “in” tracks. We make live edits, mashups, really try to make each set exclusive to the show. TL;DR, support your local DJs and get over the Raw vs. Euphoric debate.

Mekanikal is a Producer & DJ based in Washington, D.C. and will be playing the Hardstyle stage.
Mekanikal is a Producer & DJ based in Washington, D.C. and will be playing the Hardstyle stage.

HD: Levenkhan! What do you think about the current state of harder styles in America? (Both Hardstyle and or Hardcore)

Levenkhan: First and foremost thank you guys of the Hard Data for having us and spreading our sounds across the U.S. The current scene of the harder styles   has definitely grown a lot the past couple of years. From a very personal and underground rave scene it has evolved to a  bigger crowd and infected the masses. The hardstyle scene is at a steady climb, with a high end of quality producers and DJs from all over the U.S. I have faith it will grow to something much bigger.

As far as hardcore its been and will aways be a  bumpy ride. With a more dedicated underground fanbase hardcore is finally starting to get more attention with a much higher demand at most hard dance events. Its a complex  forgein sound for the average american mainstream ear but perhaps will reach a much bigger mainstream fanbase one day.

Overall in order for a successful growth of the harder styles in america we must set our differences (if any) aside and  all come in UNITY and a support  all national talent whether its an upcoming  local name or a bigger national name, GO SUPPORT  and watch the scene grow.

Levenkhan is a Hardcore DJ and Producer from New Jersey, playing the outdoor Hardcore stage.
Levenkhan is a Hardcore DJ and Producer from New Jersey, playing the outdoor Hardcore stage.

HD: Greetings Markove! What are you trying to convey through your music? Are there any themes or ideas that are important to you? Is there anything in particular you find yourself wanting to communicate to the audience?

Markove:   My personal experiences and how I’ve endured form the basic message behind my music.  In the past two years I’ve gone through a lot of firsts.  Many I hope won’t be repeated.  All things considered, however, I’m only one person in a world of many.  Everyone lives through events they don’t want to intentionally experience.  My message is a simple one – you’re not alone.

Inspiration.  Motivation.  Renewal.  I want the crowd to feel these emotions every time I perform.  For me, the medium doesn’t matter.  Whether it’s through my online podcast or a live set, I want every person to experience the same realization:  your potential is unlimited.

Markove is a Washington, D.C. based Producer and DJ playing the Hardstyle stage
Markove is a Washington, D.C. based Producer and DJ playing the Hardstyle stage

HD: Hello Problem-Unit! Have you played Baltimore or the East Coast before? How did it go?

Problem Unit: I mostly play the east coast area, NYC to DC, as far west as Pittsburgh. Probably the best time I had playing Baltimore was at a warehouse near the stadium / Paradox. It was a mult – gig night for myself and a friend of mine, and by the time I got to the venue it was time to play, I was wired, and threw down hard. It was a blast to say the least.

Problem Unit is based in Perkasie, PA and will be spinning on the UK Hardcore stage.
Problem Unit is based in Perkasie, PA and will be spinning on the UK Hardcore stage.

HD: How are you doing Dr Jer-Z? Do you have anything special planned for the party (btb set, all vinyl, live PA, guest performers/dancers etc)? Do you plan to play a specific genre? Oldschool throwbacks? Original productions? Rawstyle or euphoric?

Dr Jer-Z: What’s up Hard Data! Im really excited about this event. Definitely do have something prepared. I’m a reverse bass guy so there will definitely be that hard pounding bass involved in my set. Some Rawstyle and Euphoric will be present but I’m all about energy when it comes to my sets. I do have some new original tracks/remixes that I’m going finish for this event. Can’t wait to be a part of this event and to play with some of the best local artists.

Dr Jer-Z is a Hardstyle DJ from Palermo, Italy, playing the Hardstyle stage.
Dr Jer-Z is a Hardstyle DJ from Palermo, Italy, playing the Hardstyle stage.

HD: Mad Effort and Cheif! You both will be hosts of stages on this night! How does it feel and are you guys looking forward to specific acts?

Chief: It feels awesome to be witnessing the birth of yet another team on the east coast that has genuine passion and desire for the growth of our Hard Dance scene. I’m excited to be included in this event because as the culture spreads, it’s an honor to be able to say I was there with Warsong from the beginning. Being a part of something already established is fantastic but when you play a part in something from its birth, it’s special and the potential is endless. Truth be told, I’m not looking forward to any act in particular because every artist on here is known for throwing down well, so I expect nothing but the best from everyone as they always deliver. Looking forward to going back to back with Mad Effort because it’s a rare opportunity that there’s another individual rocking the mic alongside me with an equal amount of passion. It creates an atmosphere that isn’t mine and isn’t his but can be stronger than both. Not to mention, this is my first time officially hosting in Baltimore so that alone is keeping me amped up for this. I’m very proud to be a part of this culture.

MastaChief is a hardcore and hardstyle MC from New York, NY, hosting the Hardstyle stage.
MastaChief is a hardcore and hardstyle MC from New York, NY, hosting the Hardstyle stage.

Mad Effort: Im really looking forward to my first time hosting on my own  for a big event , and at an all hardcore stage no less! With three stages of pure hard dance, this show really will be something unique.

As far as the artists go, I can’t think of a better lineup as powerful as what we’ve got packed for June 11th. I’ve got something special in store for the show, but I’ll let you guys see for yourself when the time comes!

MCMADEFFORT
MC Mad Effort is a Hard Dance MC from New York, NY, hosting the outdoor Hardcore stage.

HD: Tim Shopp! Happy to have you here once again with Hard Data! Is there anything you want to say that we haven’t asked about yet? Do you have any upcoming projects or tours to promote, or anything special or shout outs you want to say?

Tim Shopp: Its always an honor to chat with you guys and catch up! I just have to first off thank Warsong for hosting this event. For anyone who knows me on a bit of a personal level will know my true feelings about how much i believe these American talent based shows are the key to the growth of everything here in the states! Its shows/lineups like these that people need to support most in order to gain for the future music/talent and big things! I will save that rant for another day haha!

Projects, I’ve lost count on! Im working with so many artists and close friends that i think i start a new project just about everyday! Plus i have huge things coming with labels and just recently got to announce ill be making an official anthem for my friends at SDK Events for their show this summer Phobia. Not to mention the amount of tracks I’m also working on as my trio Extreme Team (with Levenkhan and Mad Effort)! Still blown away on how amazing this year is for me!

As for tours, I have what I believe to be a mini world tour this summer! Warsong will be the kick-off, then ill be in Vegas for Gabberfest (both days). Taking some lovely time off in Holland for some studio dates with people and to experience Defqon once more. Then back to Holland in July for a show that is TBA, and finally Phobia in August! Thats all i can say…for now.

Tim Shopp is an Uptempo Hardcore & Terror DJ/Producer from Middletown, NJ, Playing the Hardcore Stage
Tim Shopp is an Uptempo Hardcore & Terror DJ/Producer from Middletown, NJ, Playing the Hardcore Stage

HD: Last but certainly not least the man behind it all! Patrick aka Warsong! First of all, what a lineup! How did this all come about, what does Warsong mean to you, and why an all American talent lineup?

Warsong:

Because this is America after all. The hardest nation on Earth. Seriously though, people tend to underestimate the American scene, and I feel like oftentimes due credit isn’t awarded to our DJs and producers when it otherwise would be.

We’re excited as anyone to go to Defqon1 this summer, and we felt like it would be cool to bring all the Americans together to get pumped before crossing the Atlantic.

As far as our name goes, we see Warsong representing music that’s fundamentally aggressive and energetic; it’s evocative of a battlefield. I like to think of a mosh pit as a war zone — except we’re all on the same side

Well thank you all for taking the time (and patience) for all of this! It’s our honor to have spent this time with you all, and hope to see you all very soon!