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Utah Finally Gets Lucky: A Field Report from the Beehive State

When word started to spread over social media about Utah’s upcoming annual St. Patrick’s themed rave ‘Get Lucky’, the hype surrounding the event was insurmountable. Utah’s sole proprietor of electronic music, V2 Presents, had started to announce the lineup in phases. It wasn’t long after the announcement of the Disciple Tour members Barely Alive, Dodge & Fuski, and Astronaut did the company announce the arrival of Lady Faith and the Italian legend himself TECHNOBOY! At that moment, it was decided instantaneously that I would be attending this gold and green massive for the first time ever.

V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
Inside the Tent O’ Gold [Harder Stage] at V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
Immediately upon entering the The Great Saltair I had to admit that the production of this show was much higher than any other rave of V2‘s in recent memory; also, I discovered as I was rummaging hastily through the crowd that Utah finally had a rave that was actually worth the trip for out-of-state ravers! Finally, I managed to arrive at the Tent O’ Gold (the harder stage) where I remained for the rest of the night, naturally. First on, the ‘Disciple Tour’: a beautiful blend of Drum & Bass by Dodge & Fuski, Trap and two-step by the humble Astronaut and an appearance by the experimental bass music duo Barely Alive which drastically helped cushion the blow of a high priced ticket. These guys kept their sets seamless between each other that you couldn’t even tell who was on next until you looked up and noticed a different face! True heavyweight champs in their respective genres.  Then suddenly, the entire atmosphere shifted, and I couldn’t believe what I was witnessing:

V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
Technoboy making his first appearance in Salt Lake City at V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia

Technoboy appeared at midnight to a tightly packed and maniac crowd (who surprisingly remained throughout the entire two hours of Hardstyle)! As he played through all the popular main stage bangers, he also played some more aggressive tracks at the end of his set (however there was no appearance of his Qlimax 2008 anthem ‘Next Dimensional World’, but that was only a minor disappointment) and that aggression was absorbed and distributed outward  by the crowd as some mosh pits were opened and people were being launched into the air. But now, it was time to make way for the “Queen Bitch of the Universe”, LADY FAITH! This stunning woman kept that same amount of energy and aggression going throughout the last hour ending on a Rawstyle note; if only I was able to remember her last track! Unfortunately, due to the time change at the 2:00 am hour, the venue had to quickly close up as it was now in violation of our local laws (shows/events may not continue past two in the morning) and due to the force out by venue security, I was unable to get an interview with either one of the stars shortly after Lady Faith’s set.

V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
The intense crowd at the Tent O’ Gold Stage. Photos: @ballenmedia

At the end of the night, however, it was empowering and reassuring to see the impact of Hardstyle on the local crowd. Utah clearly has the intense desire and passion for the harder styles and by some stroke of luck (or the right people in the right ears) V2 managed to pull through for all us (finally!). We can only hope that they were there to witness the certain impact of their workings and that this event will prompt them to bring out even more Hard acts to the Great Salt Lake.

All photos courtesy of: @ballenmedia

Field Report 9: Basscon Wasteland Day 2

It was such a refreshing morning back at THD headquarters knowing that we get to experience another night of Hardstyle and Hardcore. Daybreaker and Murdock practiced their footwork and loosened up with a little pregame warm-up while Deadly Buda unsuccessfully begged Insomniac for a couple more comps to the sold out show. If you didn’t get a ticket to Saturday night a week earlier, basically you were S.O.L. and we felt lucky we had at least secured our entry for the night.

Day 2 started slightly earlier than Day 1 to accommodate the welcome of Adrenalize to the states! Although we didn’t get to experience much of his set, the California crowd definitely didn’t leave him with an empty Palladium, they were chanting already at 8:45! It was jam packed as we made our way in during the first hour. Malthe Mehlskov, from Denmark, is only 16 years old and is quickly taking the mainstream Hardstyle scene by storm. No matter if you caught his set or not, it’s pretty evident that this kids deserves all of our support.

Digital Punk brought the Rawstyle flavor to Baccon Wasteland!
Digital Punk brought the Rawstyle flavor to Basscon Wasteland!

We didn’t mention the visuals much last field report. The lasers, well they weren’t really lasers, they were sort of like lasers but better… they were INSANE. At times it was like a spider web of color pulsating to the music. There were mixed feelings about the shark’s head DJ booth, but thank goodness it was real and not just an LED screen. We saw Brandon Adams from SDK events and he gave two thumbs up to the shark’s head. The LED screens that were used were tastefully relegated to the background to amplify the talent on stage.

Saturday also brought the return of DJ Stephanie to Los Angeles, playing all of her top tracks including all the dance floor bangers that we are all familiar with and sung along to, she even previewed a new track of her own. At about 10:00pm, our man Deadly Buda rushed over to the QSA meet-up to see what was happening and lucked into photobombing their group photo.

DJ Stephanie returning to Los Angeles for Basscon
DJ Stephanie making her return to Los Angeles!

Seeing Da Tweekaz for the first time was a little different than anticipated, but they can certainly put on a show (more gimmicks!). They had all of their mainstream hits lined up (even though we expected more rubber duck samples) and offered the biggest surprise of the night by introducing their remix of Jumpstyle legend Mark with a K’s track “See Me Now” which was beautifully crafted into the Hardstyle sound design. After their set, Da Tweekaz caused a few mini-riots in the crowd when they walked out of the backstage and met with their fans right at the soundboard by the dancefloor. Just a few yards away, we bumped into the maestro of Florentine Gardens, Cesar Mendoza, who was rocking out with his posse.

Code Black was next. Even though his set with Bioweapon was the highlight of the entire event, nobody can deny the anticipation and excitement that surrounded Code Black’s solo set. His timing and mixing were perfectly executed, playing some very emotional and nostalgic tracks that even had some die hard Hardcore fans paying close attention (here’s looking at you Kim!) which says a lot about the impact he had on the crowd.

Code Black, the other half of Bioweapon, playing night 2 solo!
Code Black, the other half of Bioweapon, playing night 2 solo!

But this wasn’t even the best part! The majority of the night was waiting in anticipation for the rawest act of the show: Digital Punk! Although he played a lot more aggressive on the Trauma Tour, his set list was perfectly tailored to the city of Los Angeles, keeping it nice and raw, with the highlights being “Brutal 5.0” by Radical Redemption being played along with “My God”, DP’s track together with E-Force. At this point the crowd went absolutely f’n’ bananas. From wall-to-wall Angelenos engaged in some sort of hyper-mutated floor shuffle. Navigating through the crowd at this point was more challenging than Call of Duty Modern Warfare. Both nights it seemed like the crowd craved the raw sound, but Basscon struck the right balance this show by showcasing raw and euphoric together. If its all raw, or all euphoric, the sound gets boring. Having that contrast all night really made both styles pop.

Basscon must have known it was hometown legend and happy hardcore DJ, Lostboy’s birthday, because the night was closed out by UK/Happy Hardcore hero Gammer who has a ridiculous amount of skill and precision when it comes to DJ’ing, which allowed him to put on one hell of a performance. I thought the crowd would be too tired, but… no. Gammer cranked up the BPM and the crowd was jumping like jelly beans. He also kicked down some half speed madness and it’s a tribute to the SoCal faithful that they amazingly appreciated all the harder styles together as one.

Before we sign off, we want to give a special thanks to Cornelio “Atari” Cedillo for his amazing pictures, most of which can be found on our Facebook page (http://facebook.com/theharddata/). Enjoy!

California showing some love to the harder styles!
California showing some love to the harder styles!

Field Report 5: Trauma Live’s Harder Styles Tour 2016: Denver

Extreme turbulence courtesy of the Rocky Mountain winds greeted my airplane as it hurtled towards Denver International Airport. A portent of the sonic turbulence that would test the unsuspecting speakers of the Summit Music Hall, courtesy of Trauma Live’s Harder Styles Tour 2016 and their awesome line-up of talent: Tonegenerator, Imperium, Buzz Fuzz, Dr. Peacock, Digital Punk, Tommyknocker, Rotterdam Terror Corps, Partyraiser, Rob Gee, and Meccano Twins. The master of ceremonies was once again MC Ruffian, hosting the party in adroit fashion.

Obviously word got out about the tour. From the very beginning the crowd was present. Denver Hard Dance co-promoted the event. They walked around Boulder, Colorado, with a boom-box, blasting Dr. Peacock mixes as they passed out flyers in the home of the Buffaloes. It was great to see a… how should I put it, well… a hippie crowd, getting down to hardcore EDM. As a former resident of Colorado, this was always a bit of a dream of mine and to see it coming to reality was personally gratifying. Sometimes things just take a little time.

As with the previous stops on the tour, the crowd was treated to a once-in-a-lifetime assemblage of talent. My message is simple here, you are never going to see anything like this again. Sure, there will be big shows and festivals in the future, but to see such a solid line-up of talent in a relatively small venue only happens at the very beginning of a scene. It’s a moment when desire overtakes rational thinking, when dedication to the art is more important than practical realities and sleep is banished from the nighttime hours in favor of execution and release. Attendees will be bragging about their attendance for decades in the future.

As noted, Tonegenerator and Imperium got the crowd warmed up with their home-grown sounds, leading the way for Buzz Fuzz’s gabber insanity, followed by yet another absolutely brutal jack-hammer assault of industrial hardcore by Meccano Twins. Tommyknocker showcased the Traxtorm signature sound, once again letting the Trauma audience know, as mentioned in his excellent track, “Nobody’s Stopping This.”

Tommyknocker drops it in Denver @Trauma Harder Styles Tour 2016.

Posted by Joel Bevacqua on Saturday, February 20, 2016

Digital Punk was up next, laying down the rawstyle law. At one point he did something pretty cool. Not content with simply encouraging the fans to put their hands in the air, he moseyed right in the crowd, kneeled down and stuck his arms right in there with them. It was a nice personal touch that really looked cool if you were there to see it in person.

Digital Punk and friends.

Posted by Joel Bevacqua on Saturday, February 20, 2016

Up next was Dr. Peacock and this guy was right at home with the crowd, as he played his internationally flavored hardcore to the open-minded Colorado crowd.

Dr. Peacock pumps up Denver @Trauma Harder Styles Tour 2016.

Posted by Joel Bevacqua on Saturday, February 20, 2016

Instead of the usual hakke dance you see folks do at these events, the crowd was dancing in more of a jig-like fashion. Since I’m so busy bouncing around the party taking pictures, schmoozing backstage, and making sure The Hard Data gets passed out, I haven’t had the chance to dance as much as I’d like to so far on the tour. But, I made sure I got to cut a little rug during Dr. Peacock.

Dr. Peacock rocking Denver @Trauma Harder Styles Tour 2016.

Posted by Joel Bevacqua on Saturday, February 20, 2016

Partyrasier hit the decks next. It was a classic Partyraiser set, and perhaps one of his best. He was mixing up a storm and really conversing with the audience via his music.

Partyraiser ripping it up in Denver @Trauma Harder Styles Tour 2016.

Posted by Joel Bevacqua on Saturday, February 20, 2016

This set the stage for Rottedam Terror Corps who put on a righteous, outrageous spectacle, as is their forte. Their old school kick drums brought back that bouncy sound I remember from my raving days in the 90’s – but combined with the hard terror-filled screeches of the modern era. That, combined with basically an X-rated stage show, let’s you know you’re not in Kansas anymore. Honestly they have to tone their show down just a bit for the American audience, but even so it’s still a riot.

Rob Gee completed the night to a captivated crowd with a broad selection of his hits old and new. Rob Gee has done an amazing job at updating his sound to the modern era, and the best example of that is his recent track with Adaro, Dark Universe. I’m hoping at the next stop on the tour, Pittsburgh, he busts out my current fave of his, “Music is the Drug” that he recently did with The BeatKrusher.

Speaking of Pittsburgh, that’s the stop I finally get to hit the main stage at, and I can’t wait because I will be busting out a new track I got Pittsburgh local Subterranean to whip up: a remix of my old track Housewrecker, this time with a sort of hardstyle/dubstep combination flavor going on. You’ll hear it there first. Until then, I’m going to enjoy one more day in the Rockies, recovering from the tour so far and resting up for the last leg. This is Deadly Buda signing off, and always remember, the rhythm is life and death!