Tag Archives: Kutski

Made in Qanada: Crisis Era

With Basscon Wasteland fast approaching, the hype is getting real! The massive announcement dropped by Insomniac is sure to attract the Hardstyle family from near and far to California, eager to celebrate a two day festival with such heavyweight names.
From up north, representing the rapidly growing Canadian hard scene, we have Crisis Era. Matt and Silas are a duo of producers from Vancouver that have been mobilizing the Hardstyle crowd in North America since 2012. They are signed to Brennan Heart‘s label, WE R, and have played in almost every massive Hardstyle event in the past couple years. I can tell you one thing, those guys know how to throw down!

 

Following their success in Belgium’s DayDream Festival, the guys are ready to step it up and destroy 3 stages in what’s gonna be one EPIC weekend for them. Starting on the 27th at Hardfest Festival in the Netherlands, flying to The USA straight to the Wasteland on the 28th and finishing in Dallas for Hardismystyle on the 29th.

What can you expect from them? With tracks like Moshpit, Turn me on, Party up,  featuring names like Code Black, Audiofreq, and more, you can count on a high energy performance full of dance floor bangers; where they plan to premier their first full EP. Their versatility and fun personalities have made a lot of unique collaborations possible, such as their new track with Gammer that was dropped on their recent visit to Edmonton, with the Kutski‘s “Keeping the Rave Alive Neon nation tour“; where they made a really strong impression with the local crowd. On their first time in the City of Champions, Crisis Era managed to make it such a memorable night, everyone in Alberta took over their live chat with fans (which lasted about 10 hours) the following Sunday to let the guys know how much everyone appreciated that party, and were looking forward to everything they had coming up. Such as a new mix series where they are looking to experiment with different genres to showcase their range, and starting a merchandise line that will be initially available at their shows, and online in the near future.

 

 

If you want a taste of their music and really unique sense of humour listen to their guest appearance on KTRA, and their Hard Island mix. Both feature original tracks, and some strong remixes, such as their banging version of Kaskade’s Disarm you, and their one of a kind takes on Get your freak on, called Come on, and Radiohead’s Creep.
If you’re into snapchat comedy, they’re usually posting really creative, hilarious skits, plus an inside look at their creative process and hectic tour schedule.
Be sure to catch their set at Basscon, or whenever you get a chance. They will for sure Make-Make-Make it POP.

You can follow them on Snapchat at CrisisEra, on Facebook HERE, or Instagram for more original content and upcoming songs and events.

Electric Daisy Carnival Day One: Scoping Out the Grounds

Post originally written by Deadly Buda

Daring all manner of health and safety concerns, I found myself jumping into the pool at Las Vegas’s Downtown Grand during Basscon’s Pool Party. The hardstyle was kicking and I couldn’t help but think that this was really the way hardstyle should be enjoyed. It just all worked. The crowd was 100% into it and it was a wet n’ wild time to say the least. I couldn’t help thinking though that this crowd, clad in bathing suits, was actually dressed more conservatively than at an actual Wasteland event. Of course, it was all a precursor to the main event: Electric Daisy Carnival.

We rolled into EDC remarkably fast. I sprinted to the Wasteland stage so I could see Kutski. Amazingly, he was on at an early 8:00 PM time slot. I thought that was a bit of an outrage, but hey, he was playing the big rig so who’s to complain. He did some cool scratches on the CDJs and bridged that chasm between hardstlye and hardcore with just the proper amount of cheese to keep old and new fans alike rocking out.

After his set we went about checking out the EDC grounds. I have to say, as usual the Circuit Grounds had the coolest most forward thinking design. Basspod and Wasteland, while cool, were not remarkably different from last year. The PK sound was pretty devastating though. The music was really clean.

That said, it made me think that with modern speakers being so clean and powerful, perhaps producers can start mastering their tracks with some air to breathe again, and to achieve more dynamics. But, the war of loudness is still on, but I see hope for change on the horizon when confronted with the potential of these awesome sound rigs.

So far, this year’s EDC theme seems to be, if it ain’t broke, don’t fix it. The spectacle is marvelous and vast and most areas are laid out in a similar manner as the year before, not a bad thing actually, as it feels like you’re coming home, which is fitting a 20 year anniversary.

Tomorrow will be a special day though for hardcore fans, as American hardcore makes its presence known when Lenny Dee and Rob Gee rock the Calliope Art Car. Though there is a strong old-school theme this year, we hear that they aren’t going to play old school, they are busting out their new stuff!