Tag Archives: Hardcore

Scene Report: Northeast Ohio & Southwest Pennsylvania

Growing up in Akron, Ohio, I was fortunate enough to be surrounded by a great music scene. Whether it be The Black Keys & The Pretenders from Akron, or heavy metal mainstays like Mushroomhead, Chimaira, Marilyn Manson, or Filter from Cleveland, drawing inspiration from home was easy. However, it wasn’t until my late teens that I began to hear some of what the region’s underground dance music scene had to offer.

My first ever show was a small weekly booking at The Vortex, a popular local club in Akron. My buddy Nate Woodruff, whom also comes from an instrumental background, booked me for this gig. I had been producing a few years prior but I felt it was my time to give DJing a go. Sadly, there was a steady learning curve I had to endure. As time went by, I not only began to learn the nuances of DJing, but also learned the lay of the land. Akron is an interesting city when it comes to underground dance music. First, you have many young bucks looking to take on the scene, promoting parties that tip the cap to modern dance music, with breakneck bass and steady aggressive sounds. But when one takes a step back, they can see that Akron is also a scene of thriving vintage and avant garde producers and promoters alike.

When an outsider asks of Akron and dance music, the first thing many people will tell them about is an event series called Contrive. This series has been around for years and showcases some of the best local DJs the scene has to offer. Primarily centered around the house genre (although other four on the floor sub-genres have been featured), these parties take you back to the nostalgic sounds of Brooklyn, Chicago, and Detroit. Ran by Mark Roscoe, these shows have a cult following of both new and old heads from the region. Featuring great DJs such as Justin Bailey, Joshua Gilliland (of Rubber City Promotions), Ricky Spanish and more, integrity is an abundant trait at this event.

Live set up for Contrive in Akron, Ohio. Credit: Rubber City Promotions

If house isn’t your taste, that’s ok. Another event that has popped up in the scene in recent years has been one of my own, Audio Arena. Once an outsider of the rave scene, it took a long time for me to comprehend what all of the fuss was about. When I would go to metal shows, it was an experience. People didn’t just stand and watch, and if they did, the band always gave it their all to keep everyone entertained. From there to watching one, or sometimes two people DJing…it was a tough transition. Because of this, I wanted to host parties that weren’t just a basic rave environment. In some way, shape, or form, these parties had to keep the attendees involved.

My first rule about Audio Arena is always featuring DJs of many different sub-genres on one bill. I have always believed that music variety is paramount in appreciating your own strengths, so whether it be house, trance, breakbeat, trap, dubstep, drum & bass, UK hardcore, hardstyle, or anything else that engages the mind, there is a place for it at my shows. But what makes my shows more unique is the location. Albeit stressful and expensive, we have been able to pull off three parties at laser tag arenas. They all went seamlessly, yet, I still wanted to break more barriers. In January of 2017, I threw the regions first ever trampoline park rave at Sky Zone in Boston Heights, Ohio. I was worried about many factors, but we ended up breaking an attendance record and by the end of the night, many were saying how it was one of the best parties they have ever been to.

Audio Arena 4.0 – Trampoline Park Edition, Boston Heights, OH. Credit: Maddeax Khole

But enough about me. Let’s continue. There are other promoters I want to give a shout out to, including Nick Baker of Kosmik Kahuna and Joseph Ryan of Druidic Productions, who throw events with style. I also want to make sure I mention two prominent local labels who have made huge imprints on the national and international scene. First, Sweetdrop Digital is a label ran by Justin Hachat AKA Justin David. This label specializes in the sounds of progressive trance, as well as working with other melodic sub-genres. Second, Crowsnest Audio is a label ran by Tyler Swan AKA Lord Swan3x, whom actually attended my high school alma mater. This label is known for its heavy bass music and has amassed great street teams in Canada and even overseas. Also worth mentioning is Crankdat, who is a rising star out of McDonald, Ohio by way of Kent State University. He rose to fame almost overnight and is now touring the country.

Before we move on, we would be remiss to leave out our neighbors to the north. Cleveland, Ohio has always had a vibrant scene, and it’s dance music scene is one you would expect from a major city. In the center of it all is Cumulus Entertainment, ran by Eric Weinart and Shaun Malone, respectively. This duo puts together phenomenal productions multiple times a year that rival most major events in places like Miami and Las Vegas. Their hallmark shows, Winter Warm Up & Radiate Festival, are thrown at the legendary Agora Theater & Ballroom and draw thousands of people every time Cumulus has an event.

Winter Warm Up 2016, Agora Theater, Cleveland, Ohio. Credit: Cumulus Entertainment

Another household promoter in Cleveland is Tru Events, headed by Michael Mellon. Tru Events would be the company known for bringing in all of the A list DJs on their major North American tours. Their venue of choice is Liquid, a club on West 6th Street in Downtown Cleveland. This venue is one of the best the city has to offer, with a 21st century feel, 360 bar, and industry-standard sound. It is very clear that if you find yourself in the confines of Northeast Ohio, and you feel the need to dance, you will most certainly find what you are looking for.

This is not where the story ends; not by a long shot. Only a short 111 miles away is the metropolis of Pittsburgh, Pennsylvania, a melting pot of some of the best underground music in the United States. By nature, Pittsburgh has one of the oldest rave scenes in the nation, and as The Hard Data Founder DJ Deadly Buda can attest to, is still going as strong as ever. Back in the late 80’s and early 90’s, a group of DJs were inseparable, and little did they know that they were all destined for greatness. Turbo Zen Records was the name of the game, and these DJs ruled the land. Known then (and some now) as DJ Deadly Buda, +FX (now DJ Virus), Dieselboy, Richie Hawtin, and a few others, these performers took part in some of the more legendary parties in midwest raver lore, including Soul, High Voltage, and Power Rave 92′. Also in the house scene came a DJ who is still very much in the game. Known as Euphoria, Eric “DJ Strobe” Cohen was one of the leaders of the house movement in the city.

Fast forward to today and not much has changed, which is a very good thing. Pittsburgh is thriving with tons of promoters and DJs, all whom bring their own special signature to the scene. Let’s begin with Hardstyle Family, which is ran by Eric Wade. It’s not difficult to figure out what kind of parties that this company throws, but if you are THAT dense, they organize some of the better Hardstyle and Hardcore parties in the region. Although their long running series Rave So Hard is wildly successful, nothing can match the pure ferocity of Fantasyland Festival. This open air festival has been held in Ford City, PA for the last couple of years and features a main stage which is designed to visually jaw-drop each attendee. When the night gets darkest, a separate stage is open for silent disco, a very popular trend in the scene.

Fantasyland Festival 2016, Ford City, PA. Credit: ArcaneRaver23

If harder styles isn’t your thing, feel free to check out an event by 1UP Productions. This company is mainly ran by Ron “Rizzo” Gianfrancesco. These events are generally as multi-genre as you will find in the scene and include some of the most creative themes in the region, making for an always entertaining experience. Head down to their home venue, The Braddock Elks, for a great underground feel. Another great promoter is BC1 Productions, manned by T.J. Harris, whom like myself, gathers inspiration from the old school and brings it to the new. Although they don’t throw many shows annually, when they do, they pull out all the stops.

One of the more paramount promotional companies in Pittsburgh would have to be 1337. This company is fronted by the duo of Robert Burton and Justin Doverspike. Generally throwing a handful of events a year, they pride themselves on a well-executed marketing plan, outstanding visuals, and a lineup that is bested by very few. Over the years, 1337 has become the front-and-center company of Pittsburgh underground raving, and their promotional efforts don’t go unnoticed by anyone.

1337 “Era” NYE 2016 Party, Pittsburgh, PA. Credit: Jeff Poole

Last summer, I was fortunate to be a part of Shipwrecked Festival, which was held at Club Changes just north of Pittsburgh in New Castle, PA. This was the second Shipwrecked Festival and was ran by G.O.D. Audio/Visual Productions, in conjunction with Dirty Ramen. These companies are ran with loads of experience by Ben Bridegum and Sean Lush, respectively. If you are looking for that essential variety we all crave, both of these promoters know what it’s all about and bring it to the masses.

Last but not least, we have some fresh promoters in the business, although one would not know it at first glance. Bass Technology is ran by Sammy Padgett and has thrown some of 2016’s most memorable events. Leading this is the event series, Invaders of Outer Bass, which in the Fall of 2016 was thrown at Cruze Bar. With some of the best club sound I have heard in Pittsburgh, this show drew hundreds of people and reminded us that the Pittsburgh scene will be thriving for generations to come. Also relatively fresh to the scene is Bassburgh Promotions, ran by the three-headed monster of Kevin Petted, Seth Hoover, and Chris Stankay. This trio throws events more frequently than some of the aforementioned promoters, and they still manage to do so with superb precision, locking down headliners and a very solid supporting cast.

Although these seem to be the names to remember in the underground, there are still many other niches in the Pittsburgh scene. For instance, 2step Tuesdays is a weekly get together at the Tiki Lounge, which is one of the most unique bars I have ever been to. Headed by Miaa Rigby, this weekday party is a nice change of pace, generally featuring more downtempo music that still gives an electronic edge. Hot Mass is another major gathering of likeminded folks. This nightclub in the heart of Pittsburgh shows that techno, house, and other smooth sounding rhythms are very much welcome in the scene. Some of the DJs featured at this club are of legendary reputation. If you want to see a true art form, this is where you would go. Last but not least is a show series called Lazercrunk, which is organized by Geoff Maddock. This event series focuses on avant garde genres, specifically breakcore, and is currently hosted at Belvederes Ultra-Dive. National and international acts come from all parts of the globe to participate in this one of a kind party.

There are so many other people and places I am leaving out in this midwestern gold mine of music, but I have run out of time. I will leave that for you to discover. After all, some of the best treasures are found, not given. So if you are looking to breakdance to breakbeat, shuffle to hardstyle, twerk to trap, or do whatever your heart desires, you would be foolish to find yourself out of options in this Mid-American masterpiece.

Basscon presents Angerfist, Radical Redemption, Minus Militia and The Hard Data Ballroom Takeover Event Review

December 23 was the return of Basscon to the Belasco Theater in Los Angeles. Unlike previous Basscon shows however, this promised to be very different. Insomniac managed to bring out a very special lineup featuring exclusively raw hardstyle and hardcore acts, a first for Basscon! In the main room, Basscon featured Angerfist, Radical Redemption solo set, and the US premiere of  Minus Militia. In the Ballroom was The Hard Data’s very own Ballroom Takeover, featuring The Hard Data DJ Team – DJ Deadly Buda, Mindcontroller and Lost Boy. The hype for the US debut of Minus Militia, along with the return of Angerfist, brought a larger than life crowd, even selling out the show in the last few days of ticket sales. It was raining hard when many of the partygoers arrived at Belasco and many were getting drenched while waiting for security, but as I watched people get checked in, the excitement on their faces was palpable. Everyone knew they were in for a good night!

Belasco’s two separate rooms allowed the crowd to wander around the venue between the two stages easily and get a little taste of all the artists playing that night. I was reminded of many fond memories from previous shows at this venue as I walked in hearing Darksiderz playing one my favorite hardstyle tracks, TNT & Audiofreq – Screwdriver, as I made my way to the Ballroom.

The Ballroom was packed full of loyal hardcore heads for The Hard Data DJ Team and I felt like I was immediately surrounded by friends from all over coming up to say hi. Mindcontroller was on the decks when we walked in, and we made our way over to see The Hard Santa. My friends and I told him to check his list, and he said despite us being very naughty this year, he still had a present for us – The Hard Data Ballroom Blitz CD – a special CD mixed with everything from raw hardstyle to happy hardcore to hardcore and uptempo. I always love receiving CD’s at shows and I knew we would be listening to this on the drive home!

The Hard Santa passing out The Hard Data DJ Team Ballroom Blitz CDs

We bid Santa farewell and did a time check; there was just enough time to grab a drink at the bar and make our way to the dancefloor before Radical Redemption. As we walked to our ususal spot we had the pleasure of running into Chain Reaction and Crypsis! I had a short conversation with them and Chain Reaction told me that he was very excited to play for the US crowd for the first time. Crypsis added that it was exciting for them all to finally bring Minus Militia to the US.

I looked around the room and it was packed as Darksiderz finished his set. The anticipation for Radical Redemption to begin had built an immense amount of excitement from the crowd. When Radical took to the stage his powerful baselines and melodies echoed throughout The Belasco! Radical’s set was a whirlwind of raw hardstyle and his set included a great mix of some of his popular tracks, including Smack Bitches, HardBass Tribute, Suicide Baseline, and a collection of his iconic Brutal tracks including: Brutal 3.0, as well as crowd favorites Brutal 5.0 and his brand new Brutal 6.0.

As Radical Redemption finished his set it was time for a short intermission while Joey (Radical) ran to get his wardrobe changed for the Minus Militia set. In the meantime while the crowd waited, a live vocal female singer alongside Darksiderz kept the corwd entertained. As we waited, I looked over to the bar and I noticed Angerfist standing nearby. I went to go talk with him and he also mentioned to me that he was excited to play. He said that it was amazing to see so many people come out for the night and he couldn’t wait to play some hardcore for us! It was at this time I saw Crypsis, Chain Reaction and Radical Redemption take their place crouched behind the decks in their flack jackets and preparing for their US assault. Finally, it was time for the US debut of Minus Militia!
What happened next is hard to put into words. The lasers created a web of light over the crowd and powerful kick rolls and screeches brought so much energy to the crowd, I thought the barricade fence at the front of the stage was going to fall over from the force of the crowd that raged behind it! Their set included Obey and Arise (Official Militant Mayhem 2016 Anthem), Cracking Your Ribs, The Genesis (Supremacy 2014 Anthem). To complete the Minus Militia experience, Chain Reaction stood at the edge of the stage waving the large red minus Militia flag over the crowd before finally throwing it out to one very lucky fan.

Last but certainly not least, it was time for Angerfist to unleash hardcore upon the crowd. The mosh pit that had formed for Minus Militia grew as people dug deep to finish the night with hardcore. Angerfist pounded the crowd with his track selection, including classic tracks like Incoming, The Depths of Despair, Streetfighter, The Voice of Mayham, Strange Man In Mask and Just Like Me. I was also very excited to hear (and from the cheers of the crowd so were they) when Angerfist crossed over into dropping several frenchcore tracks, including The Sickest Squad ft. Lenny Dee -Minimal is Criminal, Radium – Rocking Fire, and his collabs with Dr. Peacock – Caveman and Inframan.

Overall I thought that the night was a blast and I hope that this show opens the door for Basscon to throw more exclusively raw hardstyle and hardcore events! Relive the night and check out some of our photos here. Up next for Basscon – Check out 15 Years of TNT featuring TNT aka Technoboy and Tuneboy, Audiofreq and Mekanikal on January 21, and Atmosfears’ North American GATE Tour featuring Atmosfears, Code Black and Tuneboy with a ‘Classics’ set on February 24th.

In closing, I would just like to take an opportunity to say a very special thank you to my friend Elise Valiquette aka DJ unicorns for her help with this article and for the continued adventures we have together, Joel Bevacqua and The Hard Data for continuing to allow me to contribute, and thank you to all my friends (too many of you all to name) who continue to come out to shows and create such great memories with me! 2016 was epic, have a safe and happy New Year and I hope to see you all in 2017!

– CabZ

Winterfresh Music Festival 2016 Event Review

Saturday, December 3 was the return of Fresh Entertainment’s winter-themed festival to Los Angeles – Winterfresh Music Festival. The night promised to host a variety of styles in separate rooms throughout the venue, from hard dance, house, trance, dubstep and drum and bass -all of which I fully intended to check out at the beginning of the night- but, like a Siren luring unexpecting sailors to their doom, the Hardstyle Arena stage sucked me in at the be-ginning of the night and I remained until the end of the show.

The day had been marked on my calendar since the announcement of Partyraiser’s return to LA and DJ Thera’s US debut at the end of Hardstyle Arena: Raw and Disorder, and my Facebook timeline seemed to be teasing me and building my anticipation for this show. The complete lineup for the Hardstyle Arena stage featured
artists Non Toxic, Eni, Alex Kidd (who unfortunately was unable to perform due to visa issues), DJ Thera, Partyraiser, Lady Dammage, and was to be hosted by the legendary MC Ruffian. I was excited for potential of the night ahead – 2 US premier arists and especially uptempo hardcore!

I walked into the venue and I caught up with some friends from AZ I hadn’t seen in awhile, grabbed a drink at the bar, and then proceeded to the Hardstyle Arena stage where I caught the end of Non Toxic’s set. I looked around and noticed the room had been converted into a winter wonderland to enhance the winter theme of the night. There were snowflakes hanging from the ceiling, large snow covered trees on the stage, Christmas lights, and Fresh had even thought to add a custom Winterfresh Snapchat filter! When Non Toxic finished with their final track my friend DJ Eni took to the decks. I had just interviewed Eni before the show, so I was excited for his performance and was really entertained by his track selection of reverse bass and oldschool to get the crowd warmed up! Approximately halfway through his set, Eni brought up a special guest, DJ Hauyon, and together they premiered their DJ team, the Druglordz, and even premiered their first collab – Dominator (Druglordz Reverse Bass remix).

Following Eni/Druglordz’s performance, MC Ruffian stepped up to the crowd and introduced DJ Thera for his US debut. Chances are if you’ve been a fan of hardstyle or hardcore for awhile you have heard Ruffian’s voice; he was the legendary voice of Qlimax until 2015 and can be heard in countless aftermovies and livesets from shows overseas. Ruffian’s familiar tone of voice paired with the cadence of his speech were instantly recognizable and I was exciting to hear him right in my hometown. Before Thera could perform his first track however, there was a special pause in the action- a marriage proposal! One of the dancers was called to the front of the stage, and the crowd created an opening. Her boyfriend stepped up to her and a banner unfolded behind him asking if she would marry him, she said yes! It was a very special moment in their lives and it was touching to be apart of it.

It was then time for DJ Thera to take the spotlight. Anyone familiar with DJ Thera’s music, or his Theracords label knew that his set would feature a variety of classics as well as raw hardstyle. It was exciting to see him perform and I thought he represented himself and his style well for his US premiere. A few of the tracks that he performed included MYST – Man Bear Pig, The Sexual Thrill, and of course the Winterfresh Anthem ft. MC Ruffian.

By the end of Thera’s set people getting wild, the laser production was on point, drinks were flowing, and looking around I could tell people were having a great time. I also had a feeling that everyone there had prepared themselves to go harder for DJ Partyraiser, and I knew moshpits were inevitable. Partyraiser’s high energy DJ style took the crowd to the next level, and his set include one of his most acclaimed tracks – Sound Becomes One with Destructive Tendencies, as well as his new track with F. Noise under their alias Scaphase – Enter the Snakepit (Snakepit 2016 anthem), but one of the most unique reactions from the crowd that I got to witness during his set was when he dropped F*ck It by Lunakorpz and American uptempo/terror DJ Tim Shopp. I was so proud of not only the recognition of the crowd to Tim’s track, but at the conscious effort of Partyraiser to play it and give a subtle nod to American hardcore during is set.

Finally to end the night, it was the US Premier of Lady Dammage, and I will say I don’t think anyone was prepared for what she had in store for us! Hardcore, uptempo and terror were all the menu and Lady Dammage serve it up relentlessly! I never thought I would get to see Lady Dammage perform, much less in the US! I don’t know if some partygoers even knew what hit them, and for anyone who may have missed it, check out her track with Broken Minds Thunder God (240bpm edit!!), and Fear Me Bitches that she played that night.

In closing, I would just like to say that this night was incredible! Fresh’s attention to detail and the quality of their events should put Fresh events on anyone’s “must attend” wishlist. Ruffian added an element to the party by interacting with the crowd’s energy, and along with the lasers, sound quality, and the banging lineup, I know Thera, Partyraiser and Lady Dammage will confirm that California knows how to party! I really enjoyed myself very much and I look forward to their next event, which will be sooner than you think- Fresh has just announced of the resurrection of another one their retired themes, Fresh Days… stay tuned for more info to come!

Acidcorecrew Interview

Acidcorecrew are a Russian underground hardcore and breakcore crew organizing parties in St. Petersburg and most recently in Moscow. After visiting Acidcorefest.Moscowedition I decided to interview Igor (Shotgun Orchestra) to ask more about the crew and the local scene.

Who are the Acidcorecrew and how did Acidcorefest start?

Acidcorefest 10
Party people @ Acidcorefest 10 in St. Peterburg

ACIDCOREFEST and ACIDCORECREW appeared in 2007-2008 and the idea and was implemented in late 2008 as a festival of heavy electronic music. In fact, at the time we first focused on breakcore and gabba styles, but over time other styles were added as well. During the period of 2008-2016 we have organized 10 Acidcorefests in Saint-Petersburg, 1 in Moscow this year, as well as some other parties. Acidcorefest was on hiatus from 2011 until this year.
First members of ACIDCORECREW were me and Anton DistoNN. When we revived the festival in 2016 few people also joined us to help with the organization. Now ACIDCORECREW are Anton DistoNN, Mila, Slava, me and other guys who took photos, made promos and video.

The name does not seem to refer to the hardcore techno subgenre acidcore. Is there a story behind the name?

The name of the festival is not associated with the name of the style of music, it was more likely due to the fact that in the breakcore and gabba music there were a lot of acid riffs at that time.

How did the Acidcorefest.Moscowedition go in your opinion?

I think it was not quite bad. Perhaps one of the biggest festivals in recent years. However, there were some negative aspects, but these errors are considered in the future.

What has been the most memorable Acidcorefest event for you?

All. Literally. I remember every one of them, they were all unique and unforgettable.

Which international artists have visited your parties?

Techdiff (UK), Rotator (FR), Klitorix (FR/ES), M1dlet (LT), Xäcksecks (SE), Belladonnakillz (CA), C64 (CA), Kodek (LV), Gabba Front Berlin (DE), Bonehead (NL), Jensen (DE), Passenger of Shit (AU), Ars Dada (NO), Zutsuu / Teknoaidi (FI), Zeuge (BY), Gexider (BY), CJClip (BY) and Airborne Drumz (RU/DE).

How was the Russian scene before Acidcorefest started? And how did Acidcorefest influence the scene?

Acidcorefest 9
Party people enjoying speedcore @ Acidcorefest 9

Before Acidcorefest there were many other organizers in Russia like Breakcore.ru, IDM-group, Soundclash, Gromov and his parties. Almost all of these promoters either do not exist anymore or are not active. I think we can assume that ACIDCOREFEST is the biggest regular breakcore/hardcore festival in Saint P from 00’s that returned today.

What plans do you have for the future?

We always have plans, unfortunately more than opportunities, but I think in the near future we are waiting to do the next ACIDCOREFESTs in Moscow, St. Petersburg and other cities of Europe.

Tell us a bit about your hardcore/breakcore projects Shotgun Orchestra, Action Agenda and the label SickBrokenBrothers.

Shotgun Orchestra is probably my longest project and perhaps the most important to date, when viewed in the context of time. The project was started in 2003, when I made a few tracks, which became the basis of the first albums published later. Then had quite a long break until 2007, related to my service in the Russian army, and in 2007 I started to perfom with this project. At the moment I don’t give much time to this project anymore, mainly due to the activities with Action Agenda, but I promise to create a full-length album in 2017 and noisily celebrate the 10 years of the project.

Action Agenda
Action Agenda in action @ Acidcorefest.Moscowedition

Action Agenda is a new page in my music life. We are doing this project with Vyacheslav Vincent Nine. We started it in 2015, but I have great hopes for it.
SickBrokenBrothers Records is a young Russian independent record label focusing on hardcore, breakcore and crossbreed stuff. We try to publish the highest quality materials from the area of the former Soviet Union and neighboring countries, but the history of the label has only just begun.

What do you think about the Russian core scene?

Unfortunately the Russian scene is not as great as we would like it to be, but it is now in the stage of regeneration, and what it will be in a few years is difficult to predict.

What are the challenges in organizing parties in Russia?

The low attendance and low ticket prices. There are of course also really small parties for friends where you know all the visitors. We’ve done similar parties for many years and wanted some progress, so we wanted to make Acidcorefest something bigger and more interesting. The main challenge right now, with music in general, is that people are more interested in the image, the brands and the atmosphere. There is a real revival going on in the flourishing Russian gabba, but young gabbers are more interested in how they are dressed than what they listen to. This used to be secondary. Earlier people went to parties for the music (like to listen to good foreign visitors).

What subgenres are popular in the Russian core underground now? Are there any specific influences from abroad or interesting local developments?

As a whole I think I will not be mistaken if I say that the Russian scene is developing in parallel with the European, but with some delay. It doesn’t have some distinct differences. Only the style of dress that has appeared in recent years – many dress up as at parties in Holland in the 90’s.

Which Russian core artists would you recommend for the readers to check out?

Would not want to leave anyone out, many musicians in Russia are worthy of paying attention to, many you already know now. Those of you who are paying attention, let me draw your attention to the duo (RI) and Doc and DJ QuintaEssentia.

Thanks for the interview!

As a bonus here’s an aftermovie from Acidcorefest.Moscowedition made by Hardcore Russia TV:

Hard Electronic: 25 Year of Industrial Strength Records, Los Angeles Event Review

Anyone trying to coordinate going to a show with friends knows it isn’t always easy, and this night was no exception. After much anticipation, my friends and I were finally on our way after quite a bit of drama- One friend of mine, Matt, had just spent the last 6hrs in traffic driving to my house all the way from San Diego, while my other friend, Tyler, had a mini-emergency losing his wallet (with his ID) earlier in the day, only to find it again about 20mins before coming to my house, and lastly, my friend Angel wanted us to pick him up on the way to the venue. But at last, the emotional rollercoaster of just wanting to get to the show so we could go party was over, and it was time to go! I had been looking forward to this show for months and my anticipation had built to the point where I was bursting with excitement! The night ahead promised some of the leading names in hardcore, and was to celebrate 25 Years of the Industrial Strength Records label.

Hard Electronic: 25 Year of Industrial Strength Records lineup featured artists Deadly Buda, Cik, Fiend, Rob Gee, Lenny Dee, Tymon, Unexist, The Sickest Squad and Art of Fighters. After passing through security and catching up with some friends, I walked onto the dance floor and prepared myself for the acts I had been looking forward to for months now. I was especially was excited that night to see Art of Fighters, Unexist, The Sickest Squad, Rob Gee and Lenny Dee… it was shortly after seeing the timeslots that I discovered Lenny Dee was not on the lineup. I later found out that Lenny had injured himself and his doctor did not recommend him to fly and risk further injury.

Lenny made the following statement on Facebook to his fans:

“My love goes out to the LA crew for making it happen. Respect. West Coast Kicking Ass!!! Get ready for Hard Electronic 2.0 coming in 2017. There is no stopping what can’t be stopped…”

We wish for your speedy recovery Lenny, but once I learned of your injury I knew that the night must go on as you had intended it to!

At this point, the much-awaited US appearance of Art of Fighters took to the stage. Throughout the crowded room you could see fans waving Art of Fighters and Hardcore Italia flags, and the signature Art of Fighters hardcore sound filled the room with catchy melodies and defiant lyrics. Art of Fighters set included classic tracks including ‘Nirvana of Noise’, and eventually ended with ‘Oh My Sun.’

Art of Fighters at Hard Electronic: 25 Year of Industrial Strength Records, Los Angeles
Art of Fighters at Hard Electronic: 25 Year of Industrial Strength Records, Los Angeles

Following Art of Fighters was Unexist, who changed the atmosphere in the room from the melodies of Art of Fighters, to a much more brutal sound. If Art of Fighters set could be described as ‘energizing’, then Unexist’s set would be described as ‘aggressive.’ One such track that he played that exemplifies this aggressiveness was ‘Devil’s Son”.

As Unexist’s set ended The Sickest Squad took to the stage to bring their own unique brand of Frenchcore (they aptly nicknamed Sickcore) to the party. For me personally, I was just as excited for The Sickest Squad as much as I was for a Frenchcore act to perform, as US doesn’t get much Frenchcore. For those unfamiliar with Frenchcore, the sound is an entirely unique variation of the hardcore sound. Tracks often feature samples of odd instruments not normally heard in electronic music playing symphonic melodies, as well as chanting or rambling of lyrics, and the bass vibrates similar to how reverse bass is for Hardstyle. The Sickest Squad’s set included their classic ‘Boomshakalaka’, as well as their new track with Dr. Peacock ‘Frenchcore Family’ (Vive La Frenchcore 2016 Anthem).

Appropriately slated to close out the night with a dose of Gabber was American legend Rob Gee. Rob started his set by recognizing the Industrial Strength Label for achieving the 25-year milestone, and we all took a moment to pay respect to Lenny Dee who, even though he couldn’t be there with us in person, was certainly there in spirit. Rob opened with one of his classic gabber tracks, ‘Pollywaggachuggabonka’ and ‘Coming At You Strong’, before working in some of his newer tracks ‘Dark Universe’ and ‘Caramba!’ into his set, all while entertaining the crowd with his animated, high energy personality.

Industrial Strength RecordsThroughout the night I was excited to see so many familiar faces, but one thing that I noticed was a definite, mature presence in the crowd as well. 25 Years of Industrial Strength Records meant that some of these people had been listing to hardcore more years than others at the party had been alive! That night I spoke to several who recounted their memories of their first shows in the 90’s held in warehouses, about their early Industrial Strength and Thunderdome vinyls, and it was interesting to hear their perspective of how the scene had grown and changed over the years. Trauma has a great ability to blend the past and the present in their shows in a really enjoyable way, and I have always respected and appreciated the origins of this scene. Ultimately, I would say the 25 years of the Industrial Strength Records was a massive success entertaining both new and old alike, and I look forward to more hardcore in the future!