Tag Archives: Brooklyn

Lenny Dee – Hard Electronic Interview Series

Techno and Hardcore pioneer Lenny Dee started Industrial Strength Records in 1991 and put New York and American Hardcore on the map, Now on the heels of the labels 25th anniversary, ISR is touring the world with a crew of hardcore artists from all over. The tour hits the US this week with stops at Union in LA Friday, November 18 and The Paper Box in Brooklyn Saturday, November 19. We got a chance to talk to a few of the artists on the lineup, including label founder Lenny Dee about the event and the history of Industrial Strength.

THD: What inspired you to start Industrial Strength records?

I was already producing a lot of music and it became a natural progression. I wanted to inspire more artists to create Hard Electronic Music and I felt this music needed a place to grow and be heard. On my travels DJing, I also went on the hunt to seek out the most hardest electronic music I could muster up. Looking back – I did.

THD: What initially attracted you to hardcore and the harder styles of dance music? What is your favorite part of hardcore music and/or the hardcore scene?

It came from within me really. There was no hard electronic music before (maybe some gothic Ebm tracks, – if you could even find them). I made sets picking odd tracks, b-sides anything and everything and played them all back to back in my sets. I’d been doing sets all around the globe since the 80s man, so all the music i produced and mixed to this point lead me down a path as i grew as a DJ and a producer and then A&R.

What I was feeling the people were feeling. It was like magic. I grew as the feeling grew. This shit was new..

I wanted to explore electronic music to the max and have made and had hits in most major styles. Creativity lead to genres of music being realized. We made the music, and then it was called something, Techno for example….we did not go in the studio to make a ‘certain style’ — it just was. I wound up and the end of the road and stayed when I hit hardcore, but I still always look at the future.

THD: What was the hardcore and harder styles scene in America like before you started ISR? How has it changed in the last 25 years?

There was nothing here in the start of the 90’s. Frankie Bones was doing some parties at that time and we had also created club nights prior to ISR. We were pushing electronic music sounds to NYC which at that time no one cared about it.

The music was not Hard Electronic though. It become the essence of what was to come for me later on, but as I think back, it was hard for the time. Bones and I really broke down doors for NYC and this Country as a whole. No one here really realizes how much Europe actually looked to us as the leaders in electronic music. We have a earned a large place in electronic music history (they might even recognize that one day ) But here we are 25 years – still kicking ass !

THD: What is your favorite subculture or sub-genre of hardcore/hardstyle that has emerged since you started playing and producing hardcore?  

I love all styles of music in fact & listen to a vast range of things. What I play is my choice. I love to be excited by the music and play it like no other. I so like crossbreed. I think its hard edge drum n bass flavor with tight Hard electronic elements really is great new addition to Hard electronic music. It furthers the expansion of both styles while forging ahead with new music ideas pushing the growth of something new, which is a good thing no matter how you look at it.

Some styles of music are more like a description not a really a style (like ‘Techno’ is a style) and are set up with simple arrangements so an amateur can play it well. I like a challenge when I play. But I try not to diss any styles, it’s whatever people dig.

THD: What is your favorite memory from your years with ISR?

I had Laurent Garnier over to my place in Brooklyn. Laurent and I go way back, so we tried to make a track in the short time we had to work. Believe it or not we made a track on my Ruff Beats label ! It was fun and unexpected, we made a simple track, but the experience was over the top to have Laurent over in in Bensonhurst Brooklyn the home of Saturday Night Fever.  We rented a house off 86th St.  next to Lenny’s Pizza – that where Travolta ate the two slices of pizza doubled up in the start of the film.

THD: What are you most excited about for the Hard Electronic 25th anniversary shows? 

I am super chuffed to celebrate that we have been here this long !  Not many can say this in the USA, especially being we created a style of music. I think we are one of (if not the) longest running Electronic labels in the USA now.

I am excited to do this party in NYC and LA. Trauma Live have been great to deal with on the West Coast and we could not have done it without them & Rave Till Dawn. And of course our crew in Brooklyn – Distort the 909 & Kontaminated Recordings – have rocked this (w/ support from Audio Havok from the east coast too). And needless to say, I couldn’t do any of it without my partner Jules who makes it all happen, incl running the ISR and our Labels etc etc.

We’ve also made ISR25 parties in Vienna (Mechanizm), Tokyo (SuperBad Midi Breaks), Glasgow (Sector Events), Fukishima (DarkRave), showcase at ‘Radikal Styles Festival in Colombia, and have a leg in Paris with Audiogenic this Dec. These collabs are exciting and the responses have been off the chain.

‘Hard Electronic’ is a night we will do more of showcasing new & established artists, from all styles of hard electronic music. One party with all different sounds to excite the brain and body in one room. We are already talking line ups for the next one (and tour coming soon too). Get ready boys n girls – the Brooklyn Monster has woken up !

Lenny will be djing both American dates alongside heavy hitters like Unexist, Art Of Fighters, The Sickest Squad, Tymon, Rob Gee and many more. In his spare time he also has been mixing an album for up and coming artist Pop Criminal.

 ISR just released ISR 100 on vinyl as well as collaborations with Akira, Mr Madness, Jason Little, Nuke, DJ Terror and many more for the 25 Years of Industrial Strength compilation coming out this December. 

Producers keep an eye out for a new studio pack to help new and seasoned producers make original hard kick drums, featuring over 300+ bass drums and 30+ ISR artist kits.

Lenny Dee: The Trauma Harder Styles Tour 2016 Interview

Lenny Dee, you’re playing the Brooklyn, NY stop on the Trauma Harder Styles Tour, I have to say it’s an honor to be conducting an interview with such a legend! From pioneering the NY scene back in the 80’s, to dominating the charts in the UK, and developing the early hardcore and industrial sounds that has evolved into modern hardcore- how does all that happen? Who was your biggest inspiration in the early part of your career?

I was inspired by the evolution of electronic music itself. This hunger lead me into doing all the styles so this was the next step along my musical journey. Right before the hardcore, I was doing disco, house, techno, industrial, Dnb breaks, rave, hardtechno, and I kept on rolling with the flow of the music which I felt was getting harder each party.

When I met Marc Arcadipane in the early 90’s, his tracks were the definitive sound of the style. He made the sounds of the core in the studio which had not been done yet and we released it on Industrial Strength Records. 25 years later – we are still pumping out the most underground artist and styles of Hard Electronic music.

ISR logo

What important changes have you witnessed from the time you got into the scene, until now? 

The sonics of the music have changed in a big way, analog gone – digital in. Also social media.

Some DJs coming up don’t know how to beatmatch and really DJ which is a shame as I think it’s a real artform, and some don’t even make their own music. That’s the bad side, but  there are a lot of talented new guys coming up too. I like to support guys with real core attitude. I still have faith in the new, unexplored roads. I’m not the “safe bet” / “every track sounds the same” kind of label guy.

What projects are you working on right now that we should be looking out for?

I just finished 3 tracks on Mr. Madness’ new LP, I’m also working on a few remixes Tymon & Stormtrooper.

The big one is our 25 years of ISR project this year, which will include a vinyl release, and we’re also doing parties around the world to celebrate.I’m also wrapping up some solo music and collabs with Tieum and A-Kriv, which I am excited about – some cool vibes cooking up. I also signed with Footworxx Bookings for Europe who are awesome!

I am super excited about our new Kaos Engine Kick Drum instrument collection we are doing with ‘5KRO’ and ‘Industrial Strength Samples’

This custom instrument will give new artists loads of hardcore kicks, with the power of a custom NI Kontakt Gui. This is a real studio tool to help make the hardest part of the style – the kicks!  We are set to release it in April.

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This Trauma tour is a big thing for the North American hardcore scene, featuring some of the biggest names in hardcore today. Have any of the other artists on the Trauma tour ever inspired your work? If so, how?

Yes, the Trauma guys doing the tour – they give me inspiration that there might be more hope for this music here. Hats off to them for giving this style of music a real tour.

All the artists give me inspiration for sure. I love all the music they make, plus I have worked with many of them over the years too.

What are your top 3 favorite tracks of all time? Why?

I kinda flip around with this question a lot :

Mescaline United –  first ISR -First core track – this has a place in my heart forever

Euromasters Rotterdamn 01  – killer core for sure  – really took it up a notch

Extreme Terror – ISR – thee most bad ass track around – Nuff said, really!

Lastly (see our interview with Rob Gee for Rob’s answer here) who would win in a pie eating contest between you and Rob Gee?

Haha! Well I am not sure. I like pie – but i am not a super sugar freak – now if we are taking about smoking …… I think I am the winner 🙂

If there’s anything we haven’t asked, what else would you like to say to the readers of The Hard Data?

This music was a USA grown music style. Industrial Strength Records was the first Hardcore Label ever, here our of Brooklyn and I was the first hardcore DJ back in the day, so the USA is the real birth of this music. But it still needs some support here – so lets ass kick it!

www.industrialstrengthrecords.com

www.facebook.com/DJLennyDee

www.youtube.com/IndustrialStrengthNY