Tag Archives: Bassrush

My Project Z Experience by 3MiloE

Every time I listen to electronic music, the experience seems new to me. Perhaps maybe it is because electronic music is an ever- changing, ever-expanding entity, with each genre and style having its own sound, social groups, and individual cultures. Festivals like Project Z is where all these groups of people who love different kinds of  electronic music unite together and celebrate not just the music, but the way it makes us feel.

Project Z 2017 was my first Project Z experience, and my girl’s first Insomniac event. It seems needless to say to those who attended, but we were both blown away.

Excitement and anticipation filled us with adrenaline as we got in line to enter, the music and bright lights shining over the fences making me nod my head and dance a little. Upon entering, I was hit with a wave of relief and euphoria. We had made it to Project Z! The scenery made me feel like i was in a dream. Colors of blue and green lit up the night and reflected upon a lake. A grassy field lay beside it, and there were many ravers just chilling and relaxing by the tranquil water. Security allowed people to relax and vibe out, while also making it feel very safe and calm when and where it needed to be. My girl and I came casually dressed and slightly unprepared in that sense, but we had comfortable shoes, a CamelBak, and an attitude to have fun.

Our main objective of the night was to find all stages and get a sense of where everything at the event was located, like exits and facilities, information booths, and other important locations. There was plenty of open space between the stages, bathrooms, and vendors, yet were also in close enough proximity of each other to navigate the event easily and comfortably considering the large attendance.

So many sights and interesting characters were there to be seen. Having just watched an entire of Rick and Morty a week prior to attending Project Z, it was fascinating to see how many totems and candies were dedicated to the show—it made us feel like we belonged. We happen to be glove enthusiasts, and so we had to sit down a few times to get some shows from a few different glovers. The interpretive dances of their hands illuminated by LED lights entranced us, making us feel a wide range of emotions.  We spotted a gang of roving go-go dancers dressed as bunnies that looked like they were from Alice in Wonderland moving their way through the crowd and stages—their sole purpose to trip people out. They did an excellent job of doing that. Another area which always caught my attention as I passed through had a projection of ticking clocks that were scattered and moving over everything around it.

Project Z dancers
These characters danced like creatures throughout the night, moving from stage to stage.

Once we discovered all three of the stages and key locations, we were ready to enjoy ourselves. The first stage we experienced was Bassrush. The sounds of riddim and dubstep sent waves of happiness and aggression throughout the crowd. One of the main highlights of the night was JoyRyde, who murdered the stage as if the crowd had taken Liam Nieson’s daughter. The intensity of the music matched with the crowd’s ability to scream and move their bodies to the raw rhythms were enhanced by lasers and intense visuals, all contributing to a feeling of euphoria and loss of self to the moment that gripped and captivated parts of our souls that had not been there before. It was hard to leave that feeling behind, but we HAD to check out the next stage known as…. Basscon.

Basscon turned out to be my favorite stage at Project Z. The music caused a chaotic physical manifestation of the emotions I felt conveyed in my dancing that only need be described with two words, “going hard”. The DJs almost  seemed as if they were controlling the crowd with their mixer. I felt like i was in a trance. The breaks and the drops flawlessly blended together into a musical roller coaster I could ride. Explosive bursts of energy that were followed by entrancing melodies gave pauses in perfect increments to where I could dance and get enough rest in between intense parts of the songs. I danced so hard, I felt like my heart was about to explode. We decided to stop before we both felt like we were going to collapse.

Going Hard! at the Basscon stage!
Screenshot of me dancing at the Basscon stage and a cameo of the candie my girl found.

When we started to get hot and thirsty, we found that Project Z provided a filling station where water was  distributed for FREE! The fact that Project Z provides free water separates Project Z from most other events or venues, as water is usually very expensive.,

We went on to find a place to chill and before experiencing the third and final stage known as Area Z. On the way there, my girl found her first candie ever, a geometric pattern that wraps around your arm.  Before “rescuing” it, we looked around to see if it belonged to anyone, because it looked as if it had taken hours of time to make. We pondered where it might have come from, and how many times it might have been traded from person to person. We questioned what kind of stories it has had, and how much it must have meant to someone. I hope whoever lost it reads this article, because the candie found a great home and is being loved and cherished!

The painter at Area Z
This artist painted to dubstep.

At this point, we needed to rest, and Area Z was a perfect place to do just that. If i could describe the music at Area Z. It was mellow dubstep, a style you could go either go hard to or just relax and listen to. A nearby painter captured the creative energy of the night and sounds into an image on canvas.

At the end of the night, we were handed fliers to upcoming events and underground shows in the nearby area. Although I may not go to all the events that were promoted, it is cool to think that at the end of every event like this one, someone can find an underground party and perhaps discover new music, new friends, and new adventures.

See you next year, Project Z!

Project Z Recap

This past Saturday night the much anticipated Project Z returned to the NOS Center for its second annual show. The Joint Basscon and Bassrush show gave bassheads and hardstyle fans an exciting lineup including headliners like Eptic, Borgore, Darren Styles, and a Dj Isaac classic set.

I started my Project Z expedition early to avoid the ridiculous traffic on the way to San Bernardino. I got to the venue with about 30 minutes till showtime. Perfect because I wanted to see the Los Angeles based hardstyle artists, NonToxic. They did not disappoint the couple hundred of people that decided to come in early. They even surprised the crowd with a couple of unreleased singles. Next up was another American Hardstyle act Mekanikal, who played some awesome hard trap. Followed by the always entertaining Crisis Era, who decided to jump into the crowd and start a mosh pit.

Following Crisis Era, I needed to get out of the sauna that was the Basscon stage, so I wandered around the rest of the grounds and tried to find my friends.  I was really curious about the Area Z stage, I did not recognize anyone on that lineup so I want to see  the up and coming talent. I was kind of disappointed though, not in the music it was actually pretty good, but disappointed in the sound system. The sound was awful, my crappy Suburu factory radio had better bass than the Area Z stage, which is sad because when Ganja White Night went on later that night I could tell the set would have been 100 times better on a main stage sound system, but thats just my opinion.

After about an hour of meeting up with people and checking out some new music, I found myself at the Bassrush tent for Midnight Tyrannosaurus b2b Oolacile. The man famous for his Rick and Morty dubstep remixes was one of the highlights of the night for me, not only for the fantastic set, but because the Bassrush was just all around better than the Basscon stage. For one it was outside, so it was exponentially cooler, and  the stage production on the Bassrush stage was way better. Normally I would have made my way back to the Basscon stage because of that incredible lineup, but I decided to stay at the Bassrush stage because the Basscon stage was just way to hot. The Bassrush stage and Area Z had people I have yet to see so it worked out in my favor. I was able to see Gentleman’s Club, the UK Dub Trio whom my basshead friends have been telling me I have to see. They played Woo Boost as a tribute to Rusko, who is currently battling cancer, and hearing the whole crowd sing a long gave me chills.

The rest of my night was spent exploring  around the rest of the festival. Bouncing around stage to stage, meeting new people, trying some of the food truck food, and trading Kandi. Besides the sound at Area Z and the Basscon stage being worse then the steam room at la fitness, I would definitely say this years Project Z was one for the books (hopefully next year both stages will be outside). I’m excited excited for the future of Hardstyle in America, with Basscon’s following picking up some speed who knows what going to happen! Next up for me though is Frontliner, Lady Faith and NonToxic in Fresno followed by the Basscon takeover at Escape!!😈👊🏽

Project Z Report

My car hurtled to the Inland Empire Saturday night towards the much anticipated “Project Z”, which promised to be a grand marrying of two of Insomniac’s hardest brands, Basscon and Bassrush. These brands represent their hardstyle, hardcore, drum and bass, and “bass” music as it’s increasingly being called, I guess to obscure the fact what’s really being played is hyped up dubstep.

The techno rabbits invade Project Z! - photo by Mike Ortiz
The techno rabbits invade Project Z! – photo by Mike Ortiz

Parking was 15 bucks if you didn’t want to risk your car getting jacked in San Bernardino that night. I think $15 is actually a pretty fair price, considering most cars are filled with 4-5 people going to these shows. I had no problems getting in or out. Getting into and out of the party was pleasantly hassle free unlike some events I’ve been to over the last few years that seem more like a slog through airport security than a concert.

Upon entering the NOS Events center, I was surprised to feel that “old school rave” feeling amongst the crowd. I even, I swear to BASS, smelled Vic’s Vapo-Rub at one point. The party featured two arenas with amazing lights and sound, and a walkabout area that featured merchandise booths, food trucks, some spray paint graffiti murals, and a small sound system playing a lot of rawstyle. Plus, there were various places people just hung out at and chilled.

Project Z ravers! - Photo by Mike Ortiz
Project Z ravers! – Photo by Mike Ortiz

Musically, the high point of the night for me was SNAILS. This surprised even me, as I usually stick to the Basscon arena more than Bassrush. But, the production in the Bassrush arena had a bit of an unfair advantage. They got the fancy video screens and lighting rig from the old Circuit Ground arena from last year’s Nocturnal Wonderland. It’s an amazing set-up and it was nice to see it utilized for the harder styles.

The sold-out show was a testament to the marriage of the two brands that some might argue should have never been separated in the first place. America has always like breaks with their kick drums and it’s arguably the distinctive sound of the rave era. The 10,000 ravers that filled the NOS Events Center Saturday might be the vanguard of a new style of American rave music unencumbered by the prejudices of the European establishment. We shall see!